TY  - JOUR
AV  - public
JF  - Artnodes
EP  - 71
N1  - Covered by the Creative
Commons Spain Attribution 4.0 International license. The full text of the license can be consulted here:
http://creativecommons.org/licenses/by/4.0/
SN  - 1695-5951
ID  - discovery10085274
N2  - This paper explores the ?invisible? ubiquitous interface, the utopian and dystopian stories told
about this technology and the consequent meanings attributed to them. I look at interactive digital
media art installations that intervene in these stories, critiquing the claims about technology
they make, the relationships they promote and the potential that artistic and collaborative
experimentation has for destabilizing and reconfiguring them. My argument is that the word
invisible, when applied to the interface in interactive digital media art installations, represents
the commodification of human and nonhuman bodies. Commodification also implies a linear
process of technology whereby relationships, entities and technological developments are
linked together in a pre-determined fashion. In doing this, human behavior and experience is,
among other things, reduced to an algorithmic commodity, ultimately creating a single, stable,
unified perspective of what the interface is, rather than what it could become.
TI  - Tu ets qui controla: interfícies ubiqües i instal·lacions artístiques amb mitjans digitals interactius
KW  - interfaces
KW  -  ubiquitous computing
KW  -  interactive digital art
KW  -  interactivity
KW  -  new media art
KW  -  digital art
UR  - https://artnodes.uoc.edu/articles/abstract/10.7238/a.v0i24.3282/
SP  - 64
Y1  - 2019/07//
A1  - Shanbaum, P
PB  - Fundacio per la Universitat Oberta de Catalunya
IS  - 24
ER  -