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<https://discovery.ucl.ac.uk/id/eprint/10085274> <http://purl.org/ontology/bibo/abstract> "This paper explores the “invisible” ubiquitous interface, the utopian and dystopian stories told\r\nabout this technology and the consequent meanings attributed to them. I look at interactive digital\r\nmedia art installations that intervene in these stories, critiquing the claims about technology\r\nthey make, the relationships they promote and the potential that artistic and collaborative\r\nexperimentation has for destabilizing and reconfiguring them. My argument is that the word\r\ninvisible, when applied to the interface in interactive digital media art installations, represents\r\nthe commodification of human and nonhuman bodies. Commodification also implies a linear\r\nprocess of technology whereby relationships, entities and technological developments are\r\nlinked together in a pre-determined fashion. In doing this, human behavior and experience is,\r\namong other things, reduced to an algorithmic commodity, ultimately creating a single, stable,\r\nunified perspective of what the interface is, rather than what it could become."^^<http://www.w3.org/2001/XMLSchema#string> .
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