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<https://discovery.ucl.ac.uk/id/eprint/10020390> <http://purl.org/dc/terms/title> "Multimodality in the poetry of Lillian Allen & Dionne Brand : a social semiotic analysis"^^<http://www.w3.org/2001/XMLSchema#string> .
<https://discovery.ucl.ac.uk/id/eprint/10020390> <http://purl.org/ontology/bibo/abstract> "This thesis develops social semiotic theory by asking it to account for the\nmeaning-making practices of African-Canadian poets Lillian Allen and\nDionne Brand. Its primary aim is to develop the theory, though it attempts\nto describe in new and interesting ways certain moments in these oral /\nwritten texts at the margins of the literary. The research question, what is\nthe relationship between spoken creole and English writing? is an entry into\nthe political issues raised by the texts themselves, and larger issues of\nclisciplinarity and the epistemologies of linguistic and literary studies.\nAfter giving an account of their literary-historical and black feminist contexts\nand an overview of the poetry of Allen and Brand, I look for a poststructuralist\nsemiotic model of the relationship between letter and sound in\nDerrida's \"The End of the Book and the Beginning of Writing\". Finding his\n-07\nversion phonetic writing too restricted to account for the practices of Allen\nand Brand, and deconstruction only a partial explanation of Caribbean\nfeminist poetics, I develop a critical sociolinguistic / social semiotic account of language standardisation, conventionality, and grammar. With the aid of\nSaussure's Cours 4 linguistique generale, I work out the formal properties of\nthe sign necessary to account for these, and then go on to explain how they\nwork in the texts of Allen and Brand using two social semiotic principles of\nproduction: \"projection\" and \"embodiment\". My thesis is that orality is a\nmode, as is dialect (including standardised language), the English grapholect,\nand the semiotic body. Each of these has certain meaning-making\naffordances not accessible in the others. The writing of Allen and Brand, as\nwell as Allen's performance, use each of these modes to create different\nmeanings."^^<http://www.w3.org/2001/XMLSchema#string> .
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