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<https://discovery.ucl.ac.uk/id/eprint/10020098> <http://purl.org/dc/terms/title> "A conceptual analysis of the experience of aloneness as a necessary condition for the making of art"^^<http://www.w3.org/2001/XMLSchema#string> .
<https://discovery.ucl.ac.uk/id/eprint/10020098> <http://purl.org/ontology/bibo/abstract> "This Thesis tries to show how the experience of aloneness comes in\nmany forms for the artist working in the fine arts. It is argued in\nthe chapter Alone with the Idea Part 1, which concentrates on an\nanalysis of my creative process as the writer of the Thesis, that the\nexperience of being intimate with the idea to the exclusion of all else,\nis the essential experience of aloneness that artists seek to attain,\nwhether they are children, adolescents or adults. The chapters Solitude\nand Alone Together explore the ways in which the physical and social\ndimensions of aloneness are important in facilitating the experience of\nbeing alone with the idea. It is suggested that only when a territory\nhas been established and, for the artist working in the company of\nothers, greeting rituals have been enacted can the artist turn his\nattention to the making of art. The chapter Alone with the Idea Part 2\ndescribes how the emotional demands of art have to be reconciled with\nthe emotional demands in an artist's private life. The chapter on\nAutonomy concludes that the autonomous artist shows an independence of\nthought and spirit in his art and a capacity to penetrate the depths\nof his being in order to realise that which is uniquely his own. The\nchapters Loneliness and Alienation propose that such feeling states\ncan provide the subject matter for art forms; that for those whose life\nexperiences have made them lonely or alienated the making of art can\nbe regenerative; and that art for the dissident adolescent, is a potent\nform for the needful expression of his condition. The Conclusion\ndescribes the art teacher whose capacity to be alone in a general life\nsense allows students the life—space in which to be alone with their\nideas. Verbatim transcripts of recorded conversations held with\nseven American and Canadian artists in Canada in 1975-76 are\nincluded as Appendices."^^<http://www.w3.org/2001/XMLSchema#string> .
<https://discovery.ucl.ac.uk/id/eprint/10020098> <http://purl.org/dc/terms/date> "1980" .
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