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<https://discovery.ucl.ac.uk/id/eprint/10006645> <http://purl.org/ontology/bibo/abstract> "This thesis reconceptualises the concept of realism in relation to television using\na semiotic approach. The Thesis proposes that \"realism\" may be used as a tool\nfor the understanding of the place of television texts in the legitimation and\nrepresentation of social relations.\nThe theoretical approach is based on semiotic work that foregrounds the social\nconstitution of meaning; particularly the work of Barthes on myth, Bakhtin, Kress\nand Volosinov. From film studies, Bordwell and Nichols are also used. The\nconcepts drawn from their work are applied to a reformulation of realism in direct\nreference to the signifiers of television texts. Realism is considered in the light of\nthese theories as not one specific form but as a property of all texts: of how a\nrepresented \"world\" is constructed and understood in social life.\nThe study focuses on a small number of the totality of semiotic resources that\ncontribute to the construction of realism in television: camera movement, camera\nstability and camera position, shot duration and continuity. It provides a detailed\ntranscription and analysis of a number of television texts from different theme\nareas: the news, police drama and documentary and a game/quiz show.\nI propose in this thesis that the use of semiotic resources in different ways in\ndifferent texts produces distinct realisms that in their represented \"world\" express\ncertain values and interests in respect of wider social relations of power.Television texts are therefore the product of changing social environments and\nthe resources used in their production represent this."^^<http://www.w3.org/2001/XMLSchema#string> .
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