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Number of items: 15.

Article

Martin, D; (2016) Lucrecia Martel's Nueva Argirópolis: Rivers, Rumours and Resistance. Journal of Latin American Cultural Studies , 25 (3) pp. 449-465. 10.1080/13569325.2016.1167018.

Martin, D; (2013) Childhood, youth, and the in-between: The ethics and aesthetics of Lucrecia Martel's La mujer sin cabeza. Hispanic Research Journal , 14 (2) pp. 144-158. 10.1179/1468273712Z.00000000043.

Martin, D; (2013) Feminine adolescence as uncanny: Masculinity, haunting and self-estrangement. Forum for Modern Language Studies , 49 (2) pp. 135-144. 10.1093/fmls/cqs067.

Martin, D; (2013) Childhood, Youth, and the In-between: The Ethics and Aesthetics of Lucrecia Martel's La mujer sin cabeza. Hispanic Research Journal: Iberian and Latin American Studies , 14 (2) pp. 144-158.

Martin, D; (2013) ‘Growing Sideways in Argentine Cinema: Lucía Puenzo’s XXY and Julia Solomonoff’s El último verano de la boyita’. Journal of Romance Studies , 13 (1) pp. 34-48.

Martin, D; (2011) ‘Wholly Ambivalent Demon-girl: Horror, the Uncanny and the Representation of Feminine Adolescence in Lucrecia Martel’s La niña santa’. Tesserae Journal of Iberian and Latin American Studies , 17 (1) pp. 59-76. 10.1080/14701847.2011.589213.

Martin, D; (2009) Paraíso terrenal, mujeres bellas, gente cordial: Gender performances and narratives of modernity in la Sierra. Bulletin of Latin American Research , 28 (3) pp. 381-393. 10.1111/j.1470-9856.2009.00301.x.

Martin, D; (2008) Nomadic Subjects: Configurations of Identity and Desire in Laura Restrepo's La novia oscura. Modern Language Review , 103 (1) pp. 113-128.

Martin, D; (2008) Mothers and Nomadic Subjects: Configurations of Identity and Desire in Laura Restrepo's La novia oscura. Modern Language Review (MLR) , 103 (1) pp. 113-128.

Martin, D; (2006) Spectatorship, Performance, Resistance: Carlos Marcovich's _¿Quién diablos es Juliette?_. Journal of Latin American Cultural Studies , 15 (3) pp. 341-53.

Book

Martin, D; (2016) The cinema of Lucrecia Martel. [Book]. Spanish and Latin American Filmmakers. Manchester University Press: Manchester, UK. Green open access
file

Martin, D; (2011) Painting, literature and film in Colombian feminine culture, 1940-2005: Of border guards, nomads and women.

Book chapter

Martin, D; (2017) What Is the Child for Latin American Cinema? Spectatorship, Mobility, and Authenticity in Pedro Gonzalez Rubio’s Alamar (2009). In: Delgado, M and Hart, S and Johnson, R, (eds.) A Companion to Latin American Cinema. (pp. 187-200). Wiley-Blackwell: Oxford, UK.

Martin, D; (2013) Slipping Discursive Frameworks: Gender (and) Politics in Colombian Women's Documentary. In: Gutierrez Albilla, J, (ed.) Hispanic and Lusophone Women Filmmakers: Critical Discourses and Cinematic Practices. Manchester University Press: Manchester.

Martin, D; (2011) Childhood and its representational uses: cinematic experience and agency in Victor Gaviria's _La vendedora de rosas_. In: Altenberg, T and Prout, R, (eds.) Seeing in Spanish: From Don Quixote to Daddy Yankee, 22 Essays on Hispanic Visual Cultures. CSP: Newcastle.

This list was generated on Sun Dec 10 06:54:29 2017 GMT.