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Number of items: 50.


Demos, TJ; (2012) Return to the Postcolony: Spectres of Colonialism in Contemporary Art. Sternberg Press: Berlin, Germany.


Eaton, NJ; (2012) Art. In: The Ashgate Rsearch Companion to Modern Imperial Histories. Ashgate: Aldershot.

Eaton, NJ; (2012) 'Indische Farbe. Politik, Material und Metaphysik der Farbpalette im Britischen Empire zwishen 1765 und 1858'. In: Keinz, A and Wolf, V and Schonberger, K, (eds.) Kulturelle Ubersetzungen. (37 - 56). Reimar Verlag: Berlin.

Eaton, NJ; (2012) 'Tourism, occupancy and visuality in north India, c.1750-1858.'. In: Peterson, J and Leibsohn, D, (eds.) Seeing across cultures in the early modern world. (213 - 238). Ashgate: Aldershot.


Fend, M; (2012) Skin portraiture 'painted from nature': Ferdiand Hebra's 'Atlas of Skin Diseases'(1856-1876). In: Sappol, M, (ed.) Hidden Treasure. (122 - 126). Blast Books: New York.

Fer, BA; (2012) The 30th So Paulo Bienal. Artforum , 51.4 264 - 265.

Fer, BA; (2012) Eva Hesse: Painting Drawing Sculpture. In: Eva Hesse: Spectres and Studiowork. Kukje Gallery: Seoul.

Fer, BA; (2012) Soulages. In: Soulages, XXIe sicle. Hazan: Paris.

Fer, BA; (2012) Studio. In: The Studio. (92 - 97). Whitechapel Art Gallery: London.

Fer, BA; (2012) Abstraction/Corruption. In: Borchardt-Hume, A and Globus, D, (eds.) Mel Bochner: If the Colour Changes. (25 - 31). Whitechapel Gallery; Ridinghouse: London.

Fer, BA; (2012) Watch It Closely. In: Bradley, F, (ed.) Anna Barriball. (52 - 59). The Fruitmarket Gallery; MK Gallery: Edinburgh; Milton Keynes.

Fer, BA; (2012) File Note Essay (Untitled). In: Camden Arts Centre, , (ed.) Zoe Leonard File Note. Camden Arts Centre: London.

Fer, BA; (2012) Technicien Libertaire. In: Raymond, Y, (ed.) Jean-Luc Moulne : opus + one. (137 - 143). Dia Art Foundation; Yale University Press: New York; New Haven and London.


Hemingway, AF; (2012) Regarding Art and Art History. Art Bulletin , 94 pp. 163-165.


James, SE; (2012) 'Adorno and Garbage. In: Encyclopaedia of Consumption and Waste: The Social Science of Garbage. Sage

James, SE; (2012) A Post-fascist Family of Man? Humanism, Democracy & Photography in Postwar Germany. forthcoming in Oxford Art Journal , Vol. 35 (Issue 5)


Kinsey, CEC; (2012) Skins\screens\circuits: how technology remade the body. Doctoral thesis, UCL (University College London). Green open access


Lange-Berndt, P; (2012) Cave Show: Mark Dion's Sleeping Bear. In: Roenning, S, and Ulekleiv, L, , (eds.) Mark Dion: Den. (pp. 34-48). Forlaget Press: Oslo.

Lange-Berndt, P; Ruebel, D, ; (2012) It's a Good Deal. Machines Turning Adrift in the Work of Andreas Fischer. In: Exh.-cat. Andreas Fischer. In der Wolle. (pp. 59-67). Museum Ludwig, Cologne

Lange-Berndt, P; Rübel, D; (2012) 'It’s a Good Deal. Machines Turning Adrift in the Work of Andreas Fischer. In: Museum Ludwig, , (ed.) Exh.-cat. Andreas Fischer. In der Wolle. (pp. 59-67). Museum Ludwig: Cologne.

Llorente, M; (2012) The Image of the Catholic Queen. Mariana of Austria: Consort, Regent and Queen Mother. Doctoral thesis, UCL (University College london).

Loh, MH; (2012) Afterward/Afterword/Afterwork. In: Sherrie Levine: MAYHEM. (183 - 188). Yale University Press: New Haven.

Loh, MH; (2012) Veronese's Story of the Eye. In: Paolo Veronese in American Collections. Ringling Museum Publications: Sarasota.

Loh, MH; (2012) Custodia degli occhi: Discipline and Desire in Post-Tridentine Italian Art. In: Hall, M and Cooper, T, (eds.) The Sensuous and the Church. Cambridge University Press: Cambridge.

Loh, MH; (2012) "I Am Not Who You Think I Am": Attributing the Humanist Portrait, Identifying the Art-Historical Subject. In: Hatt, M and Ledbury, M, (eds.) Fictions of Art History. Yale University Press: New Haven.


Magagnoli, P; (2012) Between Mimetic Exacerbation and Abstraction: Images of Atrocities in Contemporary Art. Academic Quarter (no. 5, Special Issue on the Aesthetics of Human Rights,)

Magagnoli, P; (2012) Moulne, Rancire and 24 Objets de Grve: Productive Ambivalence or Reifying Opacity? Philosophy of Photography , vol. 3 (no. 1)

Magagnoli, P; (2012) Reclaiming the Past: Historical Representation in Contemporary Photography and Video art. Doctoral thesis, UCL (University College London).

Mills, R; (2012) Review of Louis-Georges Tin, The Invention of Heterosexual Culture (2012). Times Higher Education (2074) p. 56.

Mills, R; (2012) Review of Niklaus Largier, In Praise of the Whip: A Cultural History of Arousal (2007). Journal of the History of Sexuality , 21 (1)

Mills, R; (2012) Seeing sodomy in the bibles moralisées. Speculum , 87 (2) pp. 413-468. 10.1017/S0038713412001078.

Mills, R; (2012) Translation, Conversion and Becket's 'Heathen' Mother. In: Blurton, H and Wogan-Browne, J, (eds.) Rethinking the South English Legendaries. (pp. 381-402). Manchester University Press: Manchester.

Mills, R; (2012) Invisible Translation, Language Difference and the Scandal of Becket's Mother. In: Campbell, E and Mills, R, (eds.) Rethinking Medieval Translation: Ethics, Politics, Theory. (pp. 125-146). D. S. Brewer: Cambridge.

Mills, R; Campbell, E; (2012) Introduction: Rethinking Medieval Translation. In: Campbell, E and Mills, R, (eds.) Rethinking Medieval Translation: Ethics, Politics, Theory. (pp. 1-20). D. S. Brewer: Cambridge.


Richardson, E; (2012) CA Dreaming? The Nightmare of Cellulose Acetate Artifacts. [Lecture]. Presented at: Getty Research Institute, Los Angeles, USA.

Richardson, E; (2012) Immaterial? The Material of West Coast Minimalism. Presented at: Department of History of Art, University College London, London.

Richardson, E; (2012) The Physical Effects of Plasticizer Loss in Cellulose Acetate Films. In: POPART: Preservation Of Plastic ARTifacts in Museum Collections. Le Comite des Travaux Historiques et Scientifiques

Richardson, E; Rivenc, R; Learner, T; (2012) The LA Look from Start to Finish: Materials, Processes and Conservation of Works by the Finish Fetish Artists. Postprints ICOM-CC 16th Triennial Conference

Richardson, E; Schilling, M; Learner, T; (2012) Investigating the Effect of Plasticizer Content on the Stability of Cellulose Acetate. Presented at: POPART CORDIS FP7, Paris, France.


San Juan, RM; (2012) Contaminating bodies: print and the plague in 1656 Naples. In: Hills, H and Calaresu, M, (eds.) Exoticizing Vesuvius? Formations of Naples, c.1500-present. (? - ?). Ashgate: Aldershot.

San Juan, RM; Pratt, G, ; (2012) Cinema and Urban Space: Critical Possibilities. [Book]. Edinburgh University Press: Edinburgh. (In press).

Schwartz, FJ; (2012) Architecture and crime: Adolf Loos and the culture of the "case". Art Bulletin , 94 (3) pp. 437-457.

Schwartz, FJ; (2012) Peter Weiss: Art and the historiography of resistance. Konsthistorisk Tidskrift , 81 (2) pp. 65-93. 10.1080/00233609.2012.680490.

Schwartz, FJ; Lukcs, G; Hemi, ; (2012) Translation of "Art for art's sake and proletarian writing". In: Bewes, T, (ed.) Georg Lukcs: the fundamental dissonance of existence: aesthetics, politics, literature. (157 - 163). Continuum: London.

Schwartz, S; (2012) Tania Bruguera: Between Histories. Oxford Art Journal , 35 (2) 215 - 232. 10.1093/oxartj/kcs020|hwp:master-id:oxartj;kcs020.

Stakemeier, K.; (2012) Entkunstung: artistic models for the end of art. Doctoral thesis, UCL (University College London). Green open access

Sunderason, S; (2012) THE NATION AND THE EVERYDAY: THE AESTHETICS AND POLITICS OF MODERN ART IN INDIA BENGAL, C. 1920 C. 1960. Doctoral thesis, UCL (University College London).


Taws, R; (2012) The Precariousness of Things. In: Jones, C and Carey, J and Richardson, E, (eds.) The Saint-Aubin Livre de caricatures: Drawing Satire in Eighteenth-Century Paris. (pp. 327-347). Voltaire Foundation: Oxford.

Tomic, M; (2012) The past as mise-en-scne: re-enactment in contemporary art. Doctoral thesis, UCL (University College London).


Walker, S.L.; (2012) Order and pleasure in the lithographic work of Nicolas-Toussaint Charlet (1792-1845). Doctoral thesis, UCL (University College London).

This list was generated on Sun Nov 27 06:18:54 2016 GMT.