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Number of items: 33.


Chang, L.; (2011) Manufacturing landscape: the representation of suburbs, Birmingham 1780-c.1850. Doctoral thesis, UCL (University College London). Green open access


Enzensberger, HM; (2011) 'On the Inevitability of the Petty Bourgeoisie: A Sociological Caprice' (1976). In: Lange-Berndt, P and Rübel, D, (eds.) Sigmar Polke: We Petty Bourgeois! The 1970s. (pp. 198-206). Thames & Hudson, D.A.P.: London, New York.


Fend, M; (2011) Les limites de la masculinité: l'androgyne dans l'art et la théorie de l'art en France (1750-1850). [Book]. Textes à l'appui/ Genre & Sexualité. (French edition of 'Grenzen der Männlichkeit' ed.). La Découverte: Paris.

Fend, M; (2011) Toile nerveuse: Rendre la peau dans les 'Portraits de fantaisie' de Fragonard. In: Lanoe, C and Da Vinha, M and Laurioux, B, (eds.) Cultures de cour, cultures du corps. (pp. 169-184). PUPS: Paris.

Fer, BA; (2011) David Batchelor. Artforum , 50.4 266 - ?.

Fer, BA; (2011) El Mundo de la Imagen: El Mundo del Objeto. In: James Castle: Mostrar y Almacenar. (153 - 158). Museo Nacional Centro de Arte Reina Sofia: Madrid.

Fer, BA; (2011) James Castle: Image World / Object World. In: James Castle: Show and Store. (153-158 - ?). Museo Nacional Centro de Arte Reina Sofia; Distributed Art Publishers: Madrid; New York.

Fer, BA; (2011) Lygia Pape. Artforum , 50.2 303 - 304.

Fer, BA; (2011) Ifs and Buts. In: RIchmond, C and Chang, W, (eds.) Martin Creed. (9 - 16). Rennie Collection: Vancouver.


Gretton, T; (2011) Camp Life: News Pictures of Military Men and Domesticity in British and French Imperial Armies c.1870 to c.1900. In: Paternak, G and Fox, P, (eds.) Visual Conflicts. (39 - 64). Cambridge Scholars Publishing: Newcastle Upon Tyne, UK.


Hemingway, AF; (2011) The Historical and Political Context of Lukács's 'Art for Art's Sake and Proletarian Writing'. In: Bewes, T and Hall, T, (eds.) Georg Lukács: The Fundamental Dissonance of Existence: Aesthetics, Politics, and Literature. (pp. 164-177). Continuum: London and New York.

Heubach, FW; (2011) 'Sigmar Polke. Early Influences, Late Consequences or, How Did the Monkeys Get into My Work? and Other Icono-Biographical Questions' (1976). In: Lange-Berndt, P and Rübel, D, (eds.) Sigmar Polke: We Petty Bourgeois! The 1970s. (pp. 445-455). Thames & Hudson, D.A.P.: London, New York.


James, SE; (2011) Subject, Object, Mimesis: The Aesthetic World of the Bechers' Photography. In: Photography after Conceptual Art. (pp. 50-69).


LANGE-BERNDT, P; (2011) Test Site Bohemia. On Mildred's Lane by J. Morgan Puett and Mark Dion, Pennsylvania". Texte zur Kunst , 21 (81) pp. 173-175.

LOH M, ; (2011) Introduction: Early Modern Horror. Oxford Art Journal , 34 (3) 10.1093/oxartj/kcr040.

Lange-Berndt, P; (2011) Paradiesische Alternativen. Das "lebende Tierinventar" der Rosa Bonheur. In: Vom Objekt zum Bild. Piktorale Prozesse in Kunst und Wissenschaft, 1600-2000. (pp. 215-243). Akademie Verlag: Berlin.

Lange-Berndt, P; (2011) Review von Ellen Spickernagel: Der Fortgang der Tiere. Darstellungen in Menagerien und in der Kunst des 17.-19. Jahrhunderts. [Digital scholarly resource]. http://www.sehepunkte.de/

Lange-Berndt, P; Enzensberger, HM; (2011) 'On the Inevitability of the Petty Bourgeoisie: A Sociological Caprice' (1976). In: Lange-Benrdt, P and Rübel, D, (eds.) Sigmar Polke: We Petty Bourgeois! The 1970s. (pp. 198-206). Thames & Hudson, D.A.P.: London, New York.

Learner, T; Rivenc, R; Richardson, E; (2011) From Start to Finish: De Wain Valentine's Gray Column. Getty Conservation Institute: Los Angeles.

Loh, M; (2011) 'The Death of the Medium and Technologies of the New in Early Modern Italy'. In: Pfisterer, U and Wimböck, G, (eds.) Novità—das ‘Neue’ in der Kunst um 1600. Theorien, Mythen, Pratiken. Diaphanes: Munich.

Loh, MH; (2011) Outscreaming the Laocoön: Sensation, Special Affect, and the Moving Image. Oxford Art Journal , 34 (3) 10.1093/oxartj/kcr039.

Loh, MH (Ed). (2011) Oxford Art Journal - Special Issue: Early Modern Horror. [Whole issue]. Oxford Art Journal , Volume 34 (Issue 3).


Mills, R; (2011) Review of Cary Howie, Claustrophilia: The Erotics of Enclosure in Medieval Literature (2007). Modern Philology , 108 (3) E155-E157.

Mills, R; (2011) The early South English Legendary and difference: Race, place, language, and belief. In: UNSPECIFIED (pp. 197-221).

Mills, R; (2011) Homosexuality: Specters of Sodom. In: Evans, R, (ed.) A Cultural History of Sexuality in the Middle Ages. (pp. 57-79). Berg: Oxford.


Richardson, E; (2011) Plastic Fantastic? [Lecture]. Presented at: Getty Conservation Institute, Los Angeles, USA.

Richardson, E; Schilling, M; Mazurek, J; Learner, T; (2011) New Materials, New Conservation Challenges. Presented at: Disney Animation Archive, Los Angeles, USA.


San Juan, RM; (2011) Print and the productivity of death. Oxford Art Journal , 34 (No 2) 292 - 294.

San Juan, RM; (2011) Vertiginous mirrors: the animation of the visual image and early modern travel. [Book]. Rethinking Art's Histories. Manchester University Press: Manchester.

San Juan, RM; (2011) Making the New World and Bernini's Fountain of the Four Rivers in the Piazza Navona. In: Prebys, P and Hairston, J, (eds.) Early Modern Rome 1450-1650. (? - ?). Association of American Universities in Rome/University of California in Rome: Rome.


Taws, R; (2011) Review of Slavoj Žižek, 'Robespierre: Virtue and Terror'. Journal for Eighteenth-Century Studies , 34 (3) pp. 419-420.

Taws, R; (2011) The Currency of Caricature in Revolutionary France. In: Porterfield, T, (ed.) The Efflorescence of Caricature, 1759-1838. (pp. 95-115). Ashgate: Burlington, VT.

Teo, W.W.-H.; (2011) One world, one dream: contemporary Chinese art and spectacle. Doctoral thesis, UCL (University College London).

This list was generated on Sun Nov 27 06:19:03 2016 GMT.