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Number of items: 79.

B

Beaumont, M; Hemingway, A; Leslie, E; Roberts, JE; (2007) As Radical as Reality Itself: Essays on Marxism and Art for the 21st Century. [Book]. Peter Lang: Oxford.

Bohde, D; (2007) Weder Haut noch Fleisch: Das Inkarnat in der Kunstgeschichte. [Book]. Neue Frankfurter Forschungen zur Kunst. Gebr. Mann Verlag: Berlin.

C

Cook, M; Mills, R; Trumbach, R; Cocks, H; (2007) A Gay History of Britain: Love and Sex Between Men Since the Middle Ages. [Book]. Greenwood World Publishing: Oxford.

D

Demos, T; (2007) "Black Audio Film Collective, Foundation for Art and Creative Technology, Liverpool". Artforum

Demos, T; (2007) "Christoph Büchel, Hauser and Wirth, London". Artforum

Demos, T; (2007) “Fischli and Weiss: A Retrospective”. Text zur Kunst

Demos, T; (2007) “(In)voluntary Acting: The Art of Candice Breitz,” in Candice Breitz, Mother + Father (Monaco: Prince Pierre of Monaco Foundation, 2007). [Catalogue].

Demos, T; (2007) A Matter of Time. Tate etc. (9) pp. 96-103.

Demos, T; (2007) "Opening: Gerard Byrne". Artforum pp. 478-480.

Demos, T; (2007) "Recognise, Contemporary Art Platform, London". Artforum

Demos, T; (2007) "Richard Wilson, Barbican, London". Artforum

Demos, T; (2007) "Seeing Double," in The Blossoming of Perspective (London: Domo Ball Gallery), 9-12. Series edited by Penelope Haralambidou. [Catalogue].

Demos, T; (2007) "The Seville Biennial". Artforum

Demos, T; (2007) "Steve McQueen's Gravesend". Domus , 909 pp. 110-115.

Demos, T; (2007) "The Tate Effect". Art Press pp. 24-33.

Demos, T; (2007) "Vivienne Koorland, The Freud Museum, London". Artforum

Demos, T; Dagher, S; David, C; Salti, R; Tohme, C; (2007) Curating Beirut: On the Politics of Representation: A Roundtable Discussion. Art Journal pp. 98-119.

Demos, TJ; (2007) The Exiles of Marcel Duchamp. [Book]. MIT Press: Cambridge, Mass..

E

Eaton, N; (2007) Review of Indian Renaissance by de Almeida and Gilpin. South Asia Studies , 22 pp. 121-122.

Eaton, N; (2007) Critical cosmopolitanism: gifting and collecting art at Lucknow, 1775-97. In: Quilley, G and Fordham, D and Barringer, T, (eds.) Art and the british empire. (pp. 189-204). Manchester University Press: Manchester.

F

Fend, M; (2007) Études de Genre et histoire de l'art dans le monde germanophone. Perspective (4) pp. 722-730.

Fend, M; (2007) Die Substanz der Oberfläche: Haut und Fleisch in der französischen Kunsttheorie des 17.-und 19. Jahrhunderts. In: Bohde, D and Fend, M, (eds.) Weder Haut noch Fleisch: Das Inkarnat in der Kunstgeschichte. (pp. 87-104). Gebr. Mann Verlag: Berlin.

Fend, M; (2007) Sehen und Tasten: Zur Raumwahrnehmung bei Alois Riegl und in der Sinnesphysiologie des 19. Jahrhunderts. In: Lange, B, (ed.) Visualisierte Körperkonzepte. (pp. 15-38). Reimer: Berlin.

Fend, M; Bohde, D; (2007) Inkarnat - Eine Einführung. In: Bohde, D and Fend, M, (eds.) Weder Haut noch Fleisch. (pp. 9-19). Gebr. Mann Verlag: Berlin.

Fend, M; Uppenkamp, B; (2007) Einleitung. In: Burdorf, D and Fend, M and Uppenkamp, B, (eds.) Medium und Material. Zur Kunst der Moderne und Gegenwart. (pp. 13-20). Wilhelm Fink: München.

Fer, B; (2007) Eva Hesse and Color. October , 119 (Winter) pp. 21-36.

Fer, B; (2007) Night. The Oxford Art Journal (Januar) pp. 69-80.

Fer, B; (2007) Celluloid Circus: Gordon Matta-Clark's Color Cibachromes. In: Elisabeth, S, (ed.) Gordon Matta-Clark: 'You are the measure'. (pp. 136-145). Whitney Museum of American Art and Yale University Press

Fer, B; (2007) The Colour of Slang. In: Pat, FAMM, (ed.) David Batchelor Unplugged. (pp. 10-13). Talbot Rice Gallery University of Edinburgh

Fer, BA; (2007) Open Books (Roni Horn’s Vatnasafn/Library of Water). Artforum , 45.10 173 - 174, 176.

Ford, C; (2007) Lives of Rembrandt: Baldinucci, Houbraken, Sandrart. [Book]. (Vol.1). (1 vols). (1 ed.). Pallas Athene: London.

Ford, C; (2007) "Iconoclasm, the commodity and the art of painting". In: Clay, R, (ed.) Iconoclasm: Contested Objects, Contested Terms. (pp. 75-91). Ashgate

G

Garb, T; (2007) 'The Painted Face: Portraits of Women in France 1814 - 1914'. [Book]. Yale University Press: London.

Garb, T; (2007) Reisemalheurs in Vivienne Koorland 'Reisemalheurs' (Travel Woes) Freud Museum, London. [Catalogue]. Freud Museum: London.

Garb, T.; (2007) Vivienne Koorland 'Reisemalheurs' (travel woes). [Exhibition]. Freud Museum, London, UK. 22 March - 29 April 2007.

Gretton, T; (2007) Le statut subalterne de la photographie. Etude de la présentation des images dans les hebdomadaires illustrés (Londres, Paris 1885-1910). Etudes photographiques (20) pp. 34-49.

Gretton, T; (2007) Clastic icons: prints taken from broken or reassembled blocks in some ‘popular prints’ of the western tradition. In: Boldrick, S and Clay, R, (eds.) Iconoclasm: Contested Objects, Contested Terms. (pp. 145-167). Ashgate: Aldershot, UK.

Gretton, T; (2007) David’s Portrait of Zénaïde and Charlotte Bonaparte : overt and covert Napoleonic subjects in the summer of 1821. In: Ledbury, M, (ed.) David after David. Essays on the later work. (pp. 204-217). Yale University Press: New Haven CT and London UK.

Gretton, T.; (2007) Le statut subalterne de la photographie: Étude de la présentation des images dans les hebdomadaires illustrés (Londres, Paris, 1885-1910). Études photographiques (20) pp. 24-39. Gold open access

H

Hemingway, AF; (2007) Cultural Democracy by Default: The Politics of the New Deal Arts Programmes. Oxford Art Journal , 30 (2) pp. 269-287.

Hemingway, AF; (2007) The Realist Aesthetic in Painting: "Serious and committed, ironic and brutal, sincere and full of poetry". In: Beaumont, M, (ed.) Adventures in Realism. (pp. 103-124). Blackwell Publishing: Oxford.

Hunter, M.; (2007) Collecting bodies: art, medicine and sexuality in late nineteenth-century France. Doctoral thesis, University of London. Green open access
file

J

James, SE; (2007) Evelyn Richter’s Photography: Inside the Mise en Abyme. In: Shaul, M and Freeman, N and Cornerhouse Gallery Manchester, E and Galleries, UH, (eds.) Do not refreeze. (28 - 33).

K

Krcma, E.J.; (2007) Drawing time: trace, materiality and the body in drawing after 1940. Doctoral thesis, University of London. Green open access
file

L

Lange-Berndt, P; (2007) Sammeln, wie besessen. Mark Dions "Bureau of the Centre for the Study of Surrealism and its Legacy". In: Butlar, K and Krämer, F, (eds.) Jacobs-Weg. Auf den Spuern eines Kunsthistorikers. Hommage an den Forscherfreund und Lehrer Fritz Jacobs zum 70. Geburtstag. (pp. 331-342). VDG Verlag: Weimar.

Lange-Berndt, P; (2007) Das Cabinett des Dr. Caligari, Hamlet, Der Golem, wie er in die Welt kam, Hamlet, Häxan, The Phantom of the Opera. In: Mueller, J, (ed.) Movies of the 20s. Taschen Verlag: Cologne et al.

Loh, M; (2007) 'Still Life: An Interview with Laura Mulvey'. The Art Book , 14 (1) pp. 65-66. 10.1111/j.1467-8357.2007.00782.x.

Loh, M; (2007) 'History Painting'. In: Grafton, A and Most, G and Settis, S, (eds.) The Classical Tradition: A Guide. Harvard University Press: Cambridge.

Loh, MH; (2007) Inventions of the studio, Renaissance to Romanticism. U TORONTO QUART , 76 (1) 385 - 387.

M

Mills, R; (2007) Review of Glenn Burger, Chaucer’s Queer Nation (2003) and Tison Pugh, Queering Medieval Genres (2004). Journal of English and Germanic Philology , 106 (4) pp. 539-543.

Mills, R; (2007) Review of Susan Schibanoff, Chaucer’s Queer Poetics: Rereading the Dream Trio (2006). Medium Aevum , 76 (2) pp. 344-345.

Mills, R; (2007) Male-Male Love and Sex in the Middle Ages, 1000-1500. In: Cook, M and Mills, R and Trumbach, R and Cocks, H, (eds.) A gay history of Britain. (pp. 1-43). Greenwood World Publishing: Oxford.

N

Nardelli, M; (2007) The cut: interruptions of consciousness in Zorns Lemma and Red Desert. In: Goodall, M and Good, J, (eds.) Crash cinema. Cambridge Scholars Publishing

R

Richardson, E; Martin, G; Wyeth, P; (2007) Collecting a Near Infrared Spectral Database of Modern Textiles for use of On-­‐site Characterisation. Postprints of Textiles and Text conference 257 - 263.

Richardson, E; Martin, G; Wyeth, P; (2007) On-­‐site Collections Management: NIR Characterisation and Condition Monitoring of Modern Textiles. Conservation Science 2007 262 - 269.

Richardson, E; Martin, G; Wyeth, P; (2007) On-­‐site Collections Management: NIR Characterisation and Condition Monitoring of Modern Textiles. Presented at: Conservation Science 2007, Politecnico di Milano, Milan, italy.

Richardson, E; Thickett, D; (2007) Preventive Conservation Research for Plastics on Open Display. Presented at: Plastics, Victoria and Albert Museum, London, UK.

Richardson, E.J.; (2007) Unlikely citizens? The manufacturers of Sevres porcelain and the French Revolution. Doctoral thesis, University of London. Green open access
file

Rothenberg, S; Loh, MH; (2007) Titian remade: Repetition and the transformation of early modern Italian art. (Vol.132). REED BUSINESS INFORMATION

S

San Juan, RM; (2007) Oscillations of the early modern visual imagination. Oxford Art Journal , 30 (3) 521 - 524.

San Juan, RM; (2007) Print and Marketing the Plague of 1656-57 in Rome. Roma Moderna e Contemporanea , 3 (La Peste di Roma del 1656-56: aspetti medici, demografici e organizzativi) 87 - 108.

San Juan, RM; (2007) Dizzying Visions. St. Teresa of Jesus and the Embodied Visual Image. In: Gottler, S and Neuber, W, (eds.) Spirits Unseen: The Representation of Subtle Bodies in Early Modern European Culture. (pp. 245-267). Brill: Leiden.

Schwartz, F; (2007) Neue Formen der Kultur im Industriezeitalter. In: Nerdinger, W and Durth, W, (eds.) 100 Jahre Deutscher Werkbund 1907-2007. (pp. 12-15). Prestel Verlag: Munich.

Schwartz, F; (2007) Von der Gründung zum ‘Typenstreit’. In: Nerdinger, W and Durth, W, (eds.) 100 Jahre Deutscher Werkbund 1907-2007. (pp. 48-51). Prestel Verlag: Munich.

Sheldon, L; (2007) Blue and yellow pigments: The hidden colours of light in Cuyp and Vermeer. Art Matters, Netherlands Technical Studies in Art , 4 (4) pp. 97-102.

Sheldon, L; (2007) From Idea to Object: Painting Practices Revealed. [Catalogue]. (1 ed.). UCL Art Collections, UCL: London.

Sivel, V; Dik, J; Alkemade, P; Sheldon, L; Zandbergen, H; (2007) The cloak of Young Woman Seated at a Virginal: Vermeer, or a later hand? Art Matters, Netherlands Technical Studies in Art , 4 (4) pp. 91-96.

Stracey, F; (2007) Notes on Ends. Rett Kopi: Special issue 'Manifesto' (2007) 117-.

Stracey, FAM; S, ; (2007) 10th Istanbul Biennial [review]. Third Text , 21 (6) pp. 790-795.

Stracey, FE; (2007) Consuming the Spectacle: The Watts revolt and a New Proletariat. In: Beaumont, M and Hemingway, A and Leslie, E and Roberts, J, (eds.) As Radical As Reality Itself: Essays on Marxism and Art for the 21st Century. (pp. 251-282). Peter Lang

T

Taws, R; (2007) 'Facing the Enlightenment' review of 'Citizens and Kings: Portraits in the Age of Revolution, 1760-1830', The Royal Academy of Arts, London. The Art Book , 14 (4) pp. 9-11.

Taws, R; (2007) 'On the Record' review of Francis X. Blouin Jr and William G. Rosenberg eds., 'Archives, Documentation, and Institutions of Social Memory: Essays from the Sawyer Seminar' and Margaret Proctor, Michael G. Cook and Caroline Williams eds., 'Political Pressure and the Archival Record'. History Workshop Journal (64) pp. 439-445.

Taws, R; (2007) Review of Martin Myrone, 'Bodybuilding: Reforming Masculinities in British Art, 1750-1810'. Burlington Magazine , 149 (1252) p. 499.

Taws, R; (2007) Trompe-l'Oeil and trauma: Money and memory after the terror. Oxford Art Journal , 30 (3) pp. 353-376. 10.1093/oxartj/kcm019.

Taws, R; (2007) 'L’Autel de la Patrie', 'The Fall of the Bastille', 'Armand Gaston Camus', 'Fête de l’Être Suprême', 'Journées' and 'French Revolutionary Symbols'. In: Fremont-Barnes, G, (ed.) Encyclopedia of the Age of Political Revolutions and New Ideologies, 1760-1815. (52-53, 65-67, 108-109, 237-238, 377-378, 706-708-). Greenwood Press: Westport.

W

WRIGHT, A; (2007) Review of Michelangelo: Closer to the Master, British Museum exhibition and catalogue. Renaissance Studies , 21 (no.3) pp. 415-422.

Wright, A; (2007) Authority and vision: The painter's position in the Cappella Nova at Orvieto. Renaissance Studies , 21 (1) pp. 20-43. 10.1111/j.1477-4658.2007.00366.x.

Wright, A.; (2007) Authority and vision: the painter's position in the Cappella Nova at Orvieto. Renaissance Studies , 21 (1) pp. 20-43. 10.1111/j.1477-4658.2007.00366.x.

Wright, AJ; (2007) 'Sculptural Values': Reading Fictive Relief in Late 15th- and Early 16th-century Italy. In: Cooper, DL and M, , (eds.) Depth of Field: Relief Sculpture in Renaissance Italy. (pp. 189-209). Peter Lang: Oxford.

This list was generated on Sun Aug 21 11:01:09 2016 BST.