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Number of items: 77.


Beaumont, M; Hemingway, A; Leslie, E; Roberts, JE; (2007) As Radical as Reality Itself: Essays on Marxism and Art for the 21st Century. Peter Lang: Oxford.

Bohde, D; (2007) Weder Haut noch Fleisch: Das Inkarnat in der Kunstgeschichte. Neue Frankfurter Forschungen zur Kunst. Gebr. Mann Verlag: Berlin.


Cook, M; Mills, R; Trumbach, R; Cocks, H; (2007) A Gay History of Britain: Love and Sex Between Men Since the Middle Ages. Greenwood World Publishing: Oxford.


Demos, T; (2007) "Black Audio Film Collective, Foundation for Art and Creative Technology, Liverpool". Artforum

Demos, T; (2007) "Christoph Büchel, Hauser and Wirth, London". Artforum

Demos, T; (2007) “Fischli and Weiss: A Retrospective”. Text zur Kunst

Demos, T; (2007) “(In)voluntary Acting: The Art of Candice Breitz,” in Candice Breitz, Mother + Father (Monaco: Prince Pierre of Monaco Foundation, 2007). [Catalogue].

Demos, T; (2007) A Matter of Time. Tate etc. (9) 96 - 103.

Demos, T; (2007) "Opening: Gerard Byrne". Artforum 478 - 480.

Demos, T; (2007) "Recognise, Contemporary Art Platform, London". Artforum

Demos, T; (2007) "Richard Wilson, Barbican, London". Artforum

Demos, T; (2007) "Seeing Double," in The Blossoming of Perspective (London: Domo Ball Gallery), 9-12. Series edited by Penelope Haralambidou. [Catalogue].

Demos, T; (2007) "The Seville Biennial". Artforum

Demos, T; (2007) "Steve McQueen's Gravesend". Domus , 909 110 - 115.

Demos, T; (2007) "The Tate Effect". Art Press 24 - 33.

Demos, T; (2007) "Vivienne Koorland, The Freud Museum, London". Artforum

Demos, T; Dagher, S; David, C; Salti, R; Tohme, C; (2007) Curating Beirut: On the Politics of Representation: A Roundtable Discussion. Art Journal 98 - 119.

Demos, TJ; (2007) The Exiles of Marcel Duchamp. MIT Press: Cambridge, Mass..


Eaton, N; (2007) Review of Indian Renaissance by de Almeida and Gilpin. South Asia Studies , 22 121 - 122.

Eaton, N; (2007) Critical cosmopolitanism: gifting and collecting art at Lucknow, 1775-97. In: Quilley, G and Fordham, D and Barringer, T, (eds.) Art and the british empire. (189 - 204). Manchester University Press: Manchester.


Fend, M; (2007) Études de Genre et histoire de l'art dans le monde germanophone. Perspective (4) 722 - 730.

Fend, M; (2007) Die Substanz der Oberfläche: Haut und Fleisch in der französischen Kunsttheorie des 17.-und 19. Jahrhunderts. In: Bohde, D and Fend, M, (eds.) Weder Haut noch Fleisch: Das Inkarnat in der Kunstgeschichte. (87 - 104). Gebr. Mann Verlag: Berlin.

Fend, M; (2007) Sehen und Tasten: Zur Raumwahrnehmung bei Alois Riegl und in der Sinnesphysiologie des 19. Jahrhunderts. In: Lange, B, (ed.) Visualisierte Körperkonzepte. (15 - 38). Reimer: Berlin.

Fend, M; Bohde, D; (2007) Inkarnat - Eine Einführung. In: Bohde, D and Fend, M, (eds.) Weder Haut noch Fleisch. (9 - 19). Gebr. Mann Verlag: Berlin.

Fend, M; Uppenkamp, B; (2007) Einleitung. In: Burdorf, D and Fend, M and Uppenkamp, B, (eds.) Medium und Material. Zur Kunst der Moderne und Gegenwart. (13 - 20). Wilhelm Fink: München.

Fer, B; (2007) Eva Hesse and Color. October , 119 (Winter) 21 - 36.

Fer, B; (2007) Night. The Oxford Art Journal (January) 69 - 80.

Fer, B; (2007) Celluloid Circus: Gordon Matta-Clark's Color Cibachromes. In: Elisabeth, S, (ed.) Gordon Matta-Clark: 'You are the measure'. (136 - 145). Whitney Museum of American Art and Yale University Press

Fer, B; (2007) The Colour of Slang. In: Pat, FAMM, (ed.) David Batchelor Unplugged. (10 - 13). Talbot Rice Gallery University of Edinburgh

Fer, BA; (2007) Open Books (Roni Horn’s Vatnasafn/Library of Water). Artforum , 45.10 173 - 174, 176.

Ford, C; (2007) Lives of Rembrandt: Baldinucci, Houbraken, Sandrart. (Vol.1). (1 vols). (1 ed.). Pallas Athene: London.

Ford, C; (2007) "Iconoclasm, the commodity and the art of painting". In: Clay, R, (ed.) Iconoclasm: Contested Objects, Contested Terms. (75 - 91). Ashgate


Garb, T; (2007) 'The Painted Face: Portraits of Women in France 1814 - 1914'. Yale University Press: London.

Garb, T; (2007) Reisemalheurs in Vivienne Koorland 'Reisemalheurs' (Travel Woes) Freud Museum, London. [Catalogue]. Freud Museum: London.

Garb, T.; (2007) Vivienne Koorland 'Reisemalheurs' (travel woes). [Exhibition]. Freud Museum, London, UK. 22 March - 29 April 2007.

Gretton, T; (2007) Le statut subalterne de la photographie. Etude de la présentation des images dans les hebdomadaires illustrés (Londres, Paris 1885-1910). Etudes photographiques (20) 34 - 49.

Gretton, T; (2007) Clastic icons: prints taken from broken or reassembled blocks in some ‘popular prints’ of the western tradition. In: Boldrick, S and Clay, R, (eds.) Iconoclasm: Contested Objects, Contested Terms. (145 - 167). Ashgate: Aldershot, UK.

Gretton, T; (2007) David’s Portrait of Zénaïde and Charlotte Bonaparte : overt and covert Napoleonic subjects in the summer of 1821. In: Ledbury, M, (ed.) David after David. Essays on the later work. (204 - 217). Yale University Press: New Haven CT and London UK.

Gretton, T.; (2007) Le statut subalterne de la photographie: Étude de la présentation des images dans les hebdomadaires illustrés (Londres, Paris, 1885-1910). Études photographiques (20) pp. 24-39. Gold open access


Hemingway, AF; (2007) Cultural Democracy by Default: The Politics of the New Deal Arts Programmes. Oxford Art Journal , 30 (2) 269 - 287.

Hemingway, AF; (2007) The Realist Aesthetic in Painting: "Serious and committed, ironic and brutal, sincere and full of poetry". In: Beaumont, M, (ed.) Adventures in Realism. (103 - 124). Blackwell Publishing: Oxford.

Hunter, M.; (2007) Collecting bodies: art, medicine and sexuality in late nineteenth-century France. Doctoral thesis, University of London. Green open access


James, SE; (2007) Evelyn Richter’s Photography: Inside the Mise en Abyme. In: Shaul, M and Freeman, N and Cornerhouse Gallery Manchester, E and Galleries, UH, (eds.) Do not refreeze. (28 - 33).


Krcma, E.J.; (2007) Drawing time: trace, materiality and the body in drawing after 1940. Doctoral thesis, University of London. Green open access


Lange-Berndt, P; (2007) Sammeln, wie besessen. Mark Dions "Bureau of the Centre for the Study of Surrealism and its Legacy". In: Butlar, K and Krämer, F, (eds.) Jacobs-Weg. Auf den Spuern eines Kunsthistorikers. Hommage an den Forscherfreund und Lehrer Fritz Jacobs zum 70. Geburtstag. (331 - 342). VDG Verlag: Weimar.

Lange-Berndt, P; (2007) Das Cabinett des Dr. Caligari, Hamlet, Der Golem, wie er in die Welt kam, Hamlet, Häxan, The Phantom of the Opera. In: Mueller, J, (ed.) Movies of the 20s. Taschen Verlag: Cologne et al.

Loh, M; (2007) 'Still Life: An Interview with Laura Mulvey'. The Art Book , 14 (1) 65 - 66. 10.1111/j.1467-8357.2007.00782.x.

Loh, M; (2007) 'History Painting'. In: Grafton, A and Most, G and Settis, S, (eds.) The Classical Tradition: A Guide. Harvard University Press: Cambridge.

Loh, MH; (2007) Inventions of the studio, Renaissance to Romanticism. U TORONTO QUART , 76 (1) 385 - 387.


Mills, R; (2007) Review of Glenn Burger, Chaucer’s Queer Nation (2003) and Tison Pugh, Queering Medieval Genres (2004). Journal of English and Germanic Philology , 106 (4) 539 - 543.

Mills, R; (2007) Review of Susan Schibanoff, Chaucer’s Queer Poetics: Rereading the Dream Trio (2006). Medium Aevum , 76 (2) 344 - 345.

Mills, R; (2007) Male-Male Love and Sex in the Middle Ages, 1000-1500. In: Cook, M and Mills, R and Trumbach, R and Cocks, H, (eds.) A gay history of Britain. (1 - 43). Greenwood World Publishing: Oxford.


Richardson, E; Martin, G; Wyeth, P; (2007) Collecting a Near Infrared Spectral Database of Modern Textiles for use of On-­‐site Characterisation. Postprints of Textiles and Text conference 257 - 263.

Richardson, E; Martin, G; Wyeth, P; (2007) On-­‐site Collections Management: NIR Characterisation and Condition Monitoring of Modern Textiles. Conservation Science 2007 262 - 269.

Richardson, E; Martin, G; Wyeth, P; (2007) On-­‐site Collections Management: NIR Characterisation and Condition Monitoring of Modern Textiles. Presented at: Conservation Science 2007, Politecnico di Milano, Milan, italy.

Richardson, E; Thickett, D; (2007) Preventive Conservation Research for Plastics on Open Display. Presented at: Plastics, Victoria and Albert Museum, London, UK.

Rothenberg, S; Loh, MH; (2007) Titian remade: Repetition and the transformation of early modern Italian art. (Vol.132). REED BUSINESS INFORMATION


San Juan, RM; (2007) Oscillations of the early modern visual imagination. Oxford Art Journal , 30 (3) 521 - 524.

San Juan, RM; (2007) Print and Marketing the Plague of 1656-57 in Rome. Roma Moderna e Contemporanea , 3 (La Peste di Roma del 1656-56: aspetti medici, demografici e organizzativi) 87 - 108.

San Juan, RM; (2007) Dizzying Visions. St. Teresa of Jesus and the Embodied Visual Image. In: Gottler, S and Neuber, W, (eds.) Spirits Unseen: The Representation of Subtle Bodies in Early Modern European Culture. (245 - 267). Brill: Leiden.

Schwartz, F; (2007) Neue Formen der Kultur im Industriezeitalter. In: Nerdinger, W and Durth, W, (eds.) 100 Jahre Deutscher Werkbund 1907-2007. (12 - 15). Prestel Verlag: Munich.

Schwartz, F; (2007) Von der Gründung zum ‘Typenstreit’. In: Nerdinger, W and Durth, W, (eds.) 100 Jahre Deutscher Werkbund 1907-2007. (48 - 51). Prestel Verlag: Munich.

Sheldon, L; (2007) Blue and yellow pigments: The hidden colours of light in Cuyp and Vermeer. Art Matters, Netherlands Technical Studies in Art , 4 (4) 97 - 102.

Sheldon, L; (2007) From Idea to Object: Painting Practices Revealed. [Catalogue]. (1 ed.). UCL Art Collections, UCL: London.

Sivel, V; Dik, J; Alkemade, P; Sheldon, L; Zandbergen, H; (2007) The cloak of Young Woman Seated at a Virginal: Vermeer, or a later hand? Art Matters, Netherlands Technical Studies in Art , 4 (4) 91 - 96.

Stracey, F; (2007) Notes on Ends. Rett Kopi: Special issue 'Manifesto' (2007) 117 - ?.

Stracey, FAM; S, ; (2007) 10th Istanbul Biennial [review]. Third Text , 21 (6) 790 - 795.

Stracey, FE; (2007) Consuming the Spectacle: The Watts revolt and a New Proletariat. In: Beaumont, M and Hemingway, A and Leslie, E and Roberts, J, (eds.) As Radical As Reality Itself: Essays on Marxism and Art for the 21st Century. (251 - 282). Peter Lang


Taws, R; (2007) 'Facing the Enlightenment' review of 'Citizens and Kings: Portraits in the Age of Revolution, 1760-1830', The Royal Academy of Arts, London, February-April 2007. The Art Book , 14 (4) 9 - 11.

Taws, R; (2007) 'On the Record' review of 'Archives, Documentation, and Institutions of Social Memory: Essays from the Sawyer Seminar' edited by Francis X. Blouin Jr and William G. Rosenberg, Ann Arbor, University of Michigan Press, 2006 and 'Political Pressure and the Archival Record' edited by Margaret Proctor, Michael G. Cook and Caroline Williams, Chicago, Society of American Archivists, 2005. History Workshop Journal , 64 439 - 445.

Taws, R; (2007) Review of Martin Myrone, 'Bodybuilding: Reforming Masculinities in British Art, 1750-1810', New Haven and London, Yale University Press, 2005. The Burlington Magazine , 149 (1252) 499 - 499.

Taws, R; (2007) Trompe-l'Oeil and trauma: Money and memory after the terror. Oxford Art Journal , 30 (3) 353 - 376. 10.1093/oxartj/kcm019.

Taws, R; (2007) 'L’Autel de la Patrie', 'The Fall of the Bastille', 'Armand Gaston Camus', 'Fête de l’Être Suprême', 'Journées' and 'French Revolutionary Symbols'. In: Fremont-Barnes, G, (ed.) Encyclopedia of the Age of Political Revolutions and New Ideologies, 1760-1815. (52-53, 65-67, 108-109, 237-238, 377-378, 706-708 - ?). Greenwood Press: Westport.


WRIGHT, A; (2007) Review of Michelangelo: Closer to the Master, British Museum exhibition and catalogue. Renaissance Studies , 21 (no.3) 415 - 422.

Wright, A; (2007) Authority and vision: The painter's position in the Cappella Nova at Orvieto. Renaissance Studies , 21 (1) 20 - 43. 10.1111/j.1477-4658.2007.00366.x.

Wright, A.; (2007) Authority and vision: the painter's position in the Cappella Nova at Orvieto. Renaissance Studies , 21 (1) pp. 20-43. 10.1111/j.1477-4658.2007.00366.x.

Wright, AJ; (2007) 'Sculptural Values': Reading Fictive Relief in Late 15th- and Early 16th-century Italy. In: Cooper, DL and M, , (eds.) Depth of Field: Relief Sculpture in Renaissance Italy. (189 - 209). Peter Lang: Oxford.

This list was generated on Sun Aug 16 07:20:42 2015 BST.