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Number of items: 52.


Demos, T; (2006) "Ahlam Shibli, Max Wigram Gallery, London". Artforum

Demos, T; (2006) "Ceal Floyer, Lisson Gallery, London". Artforum

Demos, T; (2006) "The Ends of Photography". In: Vitamin Ph: New Perspectives in Photography. (pp. 6-10). Phaidon: London.

Demos, T; (2006) "Franz Ackermann, White Cube, London". Artforum

Demos, T; (2006) "Life Full of Holes. Grey Room pp. 72-88.

Demos, T; (2006) "Mircea Cantor: The Title is the Last Thing," Mircea Cantor, Exh. Cat., Philadelphia Museum of Art, 1-10. Series edited by Basualdo, C. [Catalogue].

Demos, T; (2006) "Openings: The Otolith Group". Artforum pp. 360-362.

Demos, T; (2006) "Out of Beirut". Artforum pp. 234-238.

Demos, T; (2006) "Walid Raad, Foundation for Art and Creative Technology, Liverpool". Artforum

Demos, T; (2006) "The Language of Expatriation". In: Jones, D, (ed.) Dada Culture. (pp. 91-117). Rodopi Verlag: Amsterdam.


Eaton, N; (2006) Between mimesis and alterity: Art gift and diplomacy in colonial India. In: Romantic Representations of British India. (pp. 84-112).

Eaton, N; (2006) Art history, globalizations and sly multiculturalism in the academy. In: Tatlock, J, (ed.) Teaching art and design history: 21st-century Art History: Global reception. (pp. 16-20). Art History Association: Brighton.

Eaton, NJ; (2006) 'Between mimesis and alterity: Art, gift and diplomacy in colonial India, 1770-1800'. In: Franklin, M, (ed.) Romantic Representations of British India. (84 - 112). Routledge: London.


Fend, M; (2006) Androgyne. In: Andrieu, B, (ed.) Dictionnaire du corps en sciences humaines et sociales. (pp. 20-21). CNRS ed.: Paris.

Fend, M; (2006) Geblähte Körper: Die Haut oder das Unverhältnis von Innen und Außen in den Porträts von J.-A.-D. Ingres. In: Herding, K and Gehrig, G, (eds.) Orte des Unheimlichen. (pp. 234-253). Vandenhoeck & Ruprecht: Göttingen.

Fer, B; (2006) Networks: Graphic strategies from Matta to Matta-Clark. In: Betti-Sue, H, (ed.) Transmissions: the art of Matta and Gordon Matta-Clark. (pp. 35-45). San Diego Museum of Art

Fer, B; (2006) Sculpture as Sample. In: Catherine, DZ, (ed.) Eva Hesse; Drawing. (pp. 273-304). Yale University Press and the Drawing Center New York

Fer, BA; (2006) Nocturama: Flavin's Light Diagrams. In: Jeffrey, W, (ed.) Dan Flavin: New Light. (pp. 25-48). Yale University Press and National Gallery of Art Washington

Fer, BA; (2006) Crazy about Saturn:interview with Gabriel Orozco. In: Ponte, AG, (ed.) Gabriel Orozco. Turner: Mexico City.


Garb, T; (2006) 'Hairlines'. In: Armstrong, CADZC and eds, , (eds.) 'Women Artists at the Millenium'. (pp. 255-274). MIT Press: Cambridge Massachusettes.

Garb, T.; (2006) Hairlines. In: Armstrong, C. and de Zegher, C., (eds.) Women artists at the millennium. (pp. 255-274). The MIT press: Cambridge, US.

Gretton, T; (2006) Not the flâneur again: reading magazines and living the metropolis around 1880. In: D'Souza, A and McDonough, T, (eds.) The invisible flâneuse? Gender, public space, and visual culture in nineteenth-century Paris. (pp. 94-112). Manchester University Press: Manchester UK and New York USA.


Hemingway, A; (2006) Between Zhdanovism and 57th Street: Artists and the CPUSA, 1945-56. In: Anreus, A and Linden, DL and Weinberg, J, (eds.) The Social and the Real: Political Art of the 1930s in the Western Hemisphere. (pp. 261-282). Pennsylvania University Press: University Park, Pennsylvania.

Hemingway, AF; (2006) Marxism and the History of Art: From William Morris to the New Left. [Book]. Marxism and Culture. (1st ed.). Pluto Press: London.


Lange-Berndt, P; (2006) Expanded Television. Die Mobilisierung des Bildschirms bei Pipilotti Rist, Nam June Paik und Toni Oursler. Navigationen, Zeitschrift für Medien- und Kulturwissenschaften , 6 (2) pp. 104-125.

Lange-Berndt, P; (2006) Blut/Farben. Splatterfilme als überdreht-malerische Filmpraxis. In: Bergermann, U and Hanke, C and Sick, A, (eds.) Überdreht. Spin Doctoring, Politik, Medien. (pp. 249-260). thealit Verlag: Bremen.

Lange-Berndt, P; (2006) Geschminkte Tiere, oder Signalfarben im Medienzeitalter. Zu den Combines von Robert Rauschenberg. In: Janecke, C, (ed.) Gesichter auftragen. Argumente zum Schminken. (pp. 117-144). Jonas Verlag: Marburg.

Lange-Berndt, P; (2006) Chimärenvisionen. Von synthetischen und schwärmenden Tieren. In: Kampmann, S, (ed.) Exhibition-catalogue Tiger Wäsche. Das Tier und Wir. (pp. 54-58). University of Art, Braunschweig: Braunschweig.

Lange-Berndt, P; (2006) Frankenstein, The Vampire, King Kong, La Habanera, The Wizard of Oz. In: Mueller, J, (ed.) Movies of the 30s. Taschen: Cologne et al.

Lange-Berndt, P; (2006) Schreibfeder – Federnalphabet – Daunentextur. Kunstvolle Techniken der Geschlechterformierung. In: Nieberle, S and Strowick, E, (eds.) Narrating Gender: Texte, Medien, Episteme. (pp. 377-408). Böhlau: Köln, Weimar, Wien.

Lange-Berndt, P.; (2006) Schreibfeder Federnalphabet Daunentextur. Materialien der Geschlechterformierung im Werk Annette Messagers. In: Strowick, E. and Nieberle, S., (eds.) Narration und Geschlecht: Texte - Medien - Episteme. (pp. 377-408). Bhlau Verlag/ Kln Weimar: Weimar, Germany.

Levy, A; (2006) "Cosimo's Black Widow". In: Campbell, EJ, (ed.) Growing Old in Early Modern Europe: Cultural Representations. (pp. 169-184). Ashgate Publishing: Aldershot and Burlington, VT.

Levy, AM; (2006) Re-membering Masculinity in Early Modern Florence: Widowed Bodies, Mourning and Portraiture. [Book]. Women and Gender in the Early Modern World. Ashgate Publishing: Aldershot and Burlington, VT.

Loh, M.; (2006) Made in Hong Kong. The Art Book , 13 (2) pp. 3-5. 10.1111/j.1467-8357.2006.00655.x .

Loh, MH; (2006) 'Made in Hong Kong: Review. Hong Kong: Front Door/Back Door (Wolf, Baker, Young) and Wong Kar-wai (Teo)'. The Art Book , 13 (2) pp. 2-5.

Loh, MH; (2006) 'Originals, Reproductions, and a "Particular Taste" for Pastiche in the Seventeenth-Century Republic of Painting'. In: De Marchi, N and Van Miegroet, H, (eds.) Mapping Markets for Paintings in Early Modern Europe. (pp. 243-266). Brepols Publishers: Turnhout.


Mills, R; (2006) Queer is Here? Lesbian, Gay, Bisexual and Transgender Histories and Public Culture. History Workshop Journal , 62 pp. 80-88.

Mills, R; (2006) Violence, Community and the Materialisation of Belief. In: Salih, S, (ed.) A Companion to Middle English Hagiography. (pp. 87-103). D. S. Brewer: Cambridge.


Richardson, E; (2006) Non-?invasive Characterisation and Condition Monitoring of Textile Artefacts. Presented at: Terahertz Spectroscopy, University of Novosibirsk, Novosibirsk, Siberia.

Richardson, E; Martin, G; Wyeth, P; (2006) Collecting a Near Infrared Spectral Database of Modern Textiles for use of On?site Characterisation. Presented at: Textiles and Text, Textile Conservation Centre, Winchester, UK.

Richardson, E; Martin, G; Wyeth, P; (2006) Towards On-site Characterisation – Collecting a NIR Spectral Database of Modern Textiles. Presented at: Textiles and Text, Textile Conservation Centre, Winchester, UK.


Schwartz, FJ; (2006) Walter Benjamin’s Essay on Eduard Fuchs: An Art-Historical Perspective. In: Hemingway, A, (ed.) Marxism and the History of Art: From William Morris to the New Left. (pp. 106-122). Pluto Press: London.

Schwartz, FJ; (2006) Utopia for Sale: The Bauhaus and Weimar Germany's Consumer Culture. In: James-Chakraborty, K, (ed.) Bauhaus Culture: From Weimar to the Cold War. (pp. 115-138). University of Minnesota Press: Minneapolis.

Sheldon, L.; Costaras, N.; (2006) Johannes Vermeers young woman seated at a virginal. Burlington Magazine , 148 (1235) pp. 89-97.

Stracey, F; (2006) 'Now here', review of David Pinder, 'Visions of the City: Utopianism, Power and Politics in Twentieth-century Urbanism',(Edinburgh University Press, 2005). Radical Philosophy , 136 (March/) pp. 59-61.

Stracey, F; (2006) 'Destruktion-RSG-6: Towards a Situationist Avant-Garde Today. In: Hopkins, D, (ed.) Neo-Avant-Garde. (pp. 311-329). Rodopi: New York/Amsterdam.

Stracey, F.; (2006) The caves of Gallizio and Hirschhorn: excavations of the present. October , 116 pp. 87-100. 10.1162/octo.2006.116.1.87.

Stracey, FE; (2006) The Caves of Gallizio and Hirschhorn: Excavations of the Present. October , 116 (Spring) pp. 82-100. 10.1162/octo.2006.116.1.87.


Taws, R; (2006) 'Sex sells' review of Sophie Carter, 'Purchasing Power: Representing Prostitution in Eighteenth-Century English Popular Print Culture'. Oxford Art Journal , 29 (1) pp. 142-144.

Taws, R; (2006) 'Antonio Canova' and 'Le Moniteur'. In: Fremont-Barnes, G, (ed.) Encyclopedia of the French Revolutionary and Napoleonic wars. (207-208, 649-). ABC:CLIO: Santa-Barbara.


Wilson, C; (2006) "The late Gothic/Retro-Gothic: The Third Building Phase of Melrose Abbey. In: Gasser, S and Freigang, C and Boerner, B, (eds.) Architektur und Monumentalskulptur des 12.-14. Jahrhunderts. Produktion und Rezeption. (pp. 393-409). Peter Lang: Bern.

Woodcock, S; (2006) “Very efficient as a painter” the painting practice of William Powell Frith. In: Bills, M and Knight, V, (eds.) William Powell Frith: Painting the Victorian Age. Yale University Press: New Haven and London.

This list was generated on Sun Nov 27 06:19:05 2016 GMT.