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Number of items: 35.


Burge, C.M.; (2005) Disagreeable objects: the sculptural strategies of Louise Bourgeois. Doctoral thesis, University of London. Green open access

Burgio, L.; Clark, R.J.H.; Sheldon, L.; Smith, G.D.; (2005) Pigment identification by spectroscopic means: evidence consistent with the attribution of the painting young woman seated at a virginal to vermeer. Analytical Chemistry , 77 (5) pp. 1261-1267. 10.1021/ac048481i.


Demos, T; (2005) “Cutting: Kara Walker's Salvation”. Link , 10 pp. 117-121.

Demos, T; (2005) “Dark Matter into Light: Roundtable discussion with T.J. Demos, Chris Gilbert, Carlos Basualdo, Gregory" Sholette".

Demos, T; (2005) "Guy Tillim, The Photographers Gallery, London". Artforum

Demos, T; (2005) "Pepón Osorio, ICA, Philadelphia". Artforum

Demos, T; (2005) Review of “Experiments with Truth” (Fabric Workshop and Museum, Philadelphia). Artforum

Demos, T; (2005) Review of “SlideShow” (Baltimore Museum of Art). Artforum

Demos, T; (2005) Review of “The 9th International Istanbul Biennial”. Artforum

Demos, TJ; (2005) “Zurich Dada: The Aesthetics of Exile”. In: Dickerman, L, (ed.) The Dada Seminars. (pp. 7-31). National Gallery of Art: Washington, D.C..


Fend, M; (2005) 'Körpersehen': Uber das Haptische bei Alois Riegl. In: Mayer, A and Metraux, A, (eds.) Kunstmaschinen: Spielräume des Sehens zwischen Wissenschaft und Ästhetik. (pp. 166-202). Fischer: Frankfurt.

Fer, B; (2005) Color-in-pieces: the Italian Neo-Avantgarde. In: Molesworth, H, (ed.) Part Object Part Sculpture. (pp. 50-61). Wexner Center for the Arts/The Pennsylvania State University Press

Fer, B; (2005) The Scatter:Sculpture as Leftover. In: Molesworth, H, (ed.) Part Object Part Sculpture. (pp. 222-233). Wexner Center for the Arts/Pennsylvania State University

Fer, B; (2005) 'Rothko and Repetition'. In: Phillips, G and Crow, T, (eds.) Seeing Rothko. (p.159-p.175). Getty Research Institute: Los Angeles.


Garb, T; (2005) A Conversation with Juliet Mitchell (co-authored with Mignon Nixon). October , 113 (Summer) pp. 9-26.

Gretton, T; (2005) Signs for Labour-Value in Printed Pictures after the Photomechanical Revolution: Mainstream Changes and Extreme Cases around 1900. Oxford Art Journal , 28 (3) pp. 371-390. 10.1093/oxart/kci033.

Gretton, T.; (2005) Signs for labour-value in printed pictures after the photomechanical revolution: mainstream changes and extreme cases around 1900. Oxford Art Journal , 28 (3) pp. 371-390. 10.1093/oxartj/kci033.

Grodzinski, V.; (2005) French impressionism and German Jews - the making of modernist art collectors and art collections in imperial Germany 1896-1914. Doctoral thesis, University of London. Green open access


Hemingway, A; (2005) review of Barbara Zabel, 'Assembling Art: The Machine and the American Avant-Garde' (Jackson, Miss., 2004). Modernism/Modernity , 12 (3) pp. 539-541.

Hemingway, A; (2005) review of Dave Beech & John Roberts (ed.), 'The Philistine Controversy' (London & New York: Verso, 2002). Historical Materialism: Research in Critical Marxist Theory , 13 (3) pp. 239-261. 10.1163/1569206054927608.


James, SE; (2005) The Thing and Its Resemblance (In II Parts). In: This is a Test: James Ireland. (41 - 47). Angel Row Gallery: Nottingham.


Lange-Berndt, P; (2005) Zelluloid. Künstlerische Experimente mit dem Material des Films. Rundbrief Fotografie , 12, N. (4) pp. 20-24.

Lange-Berndt, P; (2005) Bambi. In: Mueller, J, (ed.) Movies of the 40s. (pp. 86-91). Taschen: Cologne et al.

Lange-Berndt, P; (2005) The Naked Spur, Godzilla, Forbidden Planet. In: Mueller, J, (ed.) Movies of the 50s. Taschen: Cologne et al.

Latham, T.; (2005) The body politic and the family quarrel: The war of American independence, metaphor and visual imagery in Britain. Doctoral thesis, University of London. Green open access


Mills, R; (2005) Review of Valentin Groebner, Defaced: The Visual Culture of Violence in the Middle Ages (2004). Speculum: a journal of Medieval studies , 80 (3) pp. 880-881.

Mills, R; (2005) Sovereign Power and Bare Life in Poetry by François Villon. Exemplaria: a journal of theory in medieval and Renaissance studies , 17 (2) pp. 445-480.

Mills, R; (2005) Suspended Animation: Pain, Pleasure and Punishment in Medieval Culture. [Book]. Reaktion: London.


San Juan, RM; (2005) Corruptible Bodies and Contaminating Technologies: Jesuit Devotional Print and the 1656 Plague in Naples. In: Carlin, C, (ed.) Imagining Contagion in Early Modern Europe. (pp. 107-123). Palgrave Press: London.

Schwartz, FJ; (2005) Blind Spots: Critical Theory and the History of Art in Twentieth-Century Germany. [Book]. Yale University Pres: New Haven and London.

Stracey, F; (2005) Situationist Radical Subjectivity and Photo-Graffiti. In: Cunningham, D and Fisher, A and Mays, S, (eds.) Photography and Literature in the Twentieth Century. (pp. 123-144). Cambridge Scholars Press

Stracey, FE; (2005) Pinot-Gallizio's 'Industrial Painting': Towards a Surplus of Life. Oxford Art Journal , 28 (no.3) pp. 391-405. 10.1093/oxartj/kci034.


Taws, R; (2005) Review of Gregory S. Brown, 'Cultures in Conflict: The French Revolution'. French History , 19 (3) p. 408.

Taws, R; Milman, M; Philippe, M; Rosen, J; (2005) Le Trompe-L'Oeil: Plus Vrai Que Nature? [Catalogue]. Art Lys: Versailles.


Woodcock, S; (2005) The Defeat of the Floating Batteries off Gibraltar by John Singleton Copley: a painting waiting for a wall. In: Woodcock, S, (ed.) Big Pictures: problems and solutions for treating outsize paintings. (pp. 144-152). Archetype Publications: London.

This list was generated on Sun Nov 27 06:18:51 2016 GMT.