UCL logo

UCL Discovery

UCL home » Library Services » Electronic resources » UCL Discovery

Browse by UCL Departments and Centres

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0
Group by: Author | Type
Jump to: A | B | D | E | F | G | H | L | M | N | R | S | W
Number of items: 43.

A

Applin, J.L.; (2004) The encrypted object: The secret world of sixties sculpture. Doctoral thesis, University of London. Green open access
file

Applin, JL; (2004) The encrypted object: the secret world of sixties art. Doctoral thesis, University of London. Green open access
file

B

Bindman, D; (2004) Americans in London: contemporary history painting revisted. In: Payne, C and Vaughan, W, (eds.) English Accents: Interactions with British Art. (pp. 9-28). Ashgate

Bindman, D; (2004) Philanthropy seems natural to mankind. Hodges and Captain Cook's second voyage to the South Seas. In: Quilley, G and Bonehill, J, (eds.) The Art of Exploration. (pp. 21-26). Yale: London and New Haven.

D

Demos, T; (2004) "The Big Nothing, ICA, Philadelphia". Artforum

Demos, T; (2004) "Bradley McCallum and Jacqueline Tarry, Conner Contemporary Art, Washington D.C.". Artforum

Demos, T; (2004) “Food, Shelter, Clothing, Fuel: The Diagrams of Chad McCail,” in Cram Sessions (Baltimore: Baltimore Museum of Art), 2-7. Series edited by Gilbert, C. [Catalogue].

Demos, T; (2004) "The Interventionists, MassMoCA". Artforum

Demos, T; (2004) "Kara Walker, Fabric Workshop Museum, Philadelphia". Artforum

Demos, T; (2004) "Work Ethic, Baltimore Museum of Art". Artforum

Demos, T; (2004) “On the Diasporic Public Sphere”. In: Heusser, HL and Imesch, K, (eds.) Visions of a Future: Art and Art History in Changing Contexts. (pp. 103-117). Swiss Institute for Art Research: Zurich.

E

Eaton, N; (2004) George Willison. In: New Dictionary of National Biography, Oxford University Press. Oxford University Press

Eaton, N; (2004) William Hodges: The art of exploration. UNSPECIFIED

Eaton, N; (2004) Thomas and William Daniell. In: Marshall, PJ, (ed.) New Dictionary of National Biography. Oxford University Press

Eaton, N.; (2004) Hodges' visual genealogy for colonial India. In: Quilley, G. and Bonehill, J., (eds.) William Hodges 1744-1797: the art of exploration. (pp. 35-42). Yale University Press: London, UK.

Eaton, NJ; (2004) Between mimesis and alterity: Art, gift and diplomacy in colonial India, 1770-1800. Comparative Studies in Society and History , 46 (4) pp. 816-844. Green open access
file

Eaton, NJ; (2004) Hodges' visual genealogy for colonial India 1780-1795. In: Quilley, G and Bonehill, J, (eds.) William Hodges 1744-1797: The art of exploration. (pp. 35-43). Yale University Press: London.

F

Fend, M; (2004) Medium Haut: Oberflächen und Körpergrenzen in Malerei und Medizin des 19. Jahrhunderts. In: Falkenhausen, S and et, A, (eds.) Medien der Kunst: Geschlecht, Metapher, Code. (pp. 242-256). Jonas Verlag: Marburg.

Fend, M; (2004) Jungfräuliche Knaben: Androgynie und männliche Adoleszenz in der Bildkultur um 1800. In: Fend, M and Koos, M, (eds.) Männlichkeit im Blick: Visuelle Inszenierungen seit der Frühen Neuzeit. (pp. 181-198).

Fend, M; Koos, M; (2004) Einleitung. In: Männlichkeit im Blick: Visuelle Inszenierungen in der Frühen Neuzeit. (pp. 1-13). Böhlau: Köln, Weimar, Wien.

Fer, B; (2004) Night sky. In: Vija Celmins. (pp. 102-107). Phaidon: London.

Fer, B; (2004) Spriograph:the circular ruins of drawing. In: Gabriel Orozco. (pp. 13-26). Serpentine Gallery,London, and Walther Konig, Cologne

Fer, B; (2004) Pressure Points:Penone's tactile vernacular. In: Catherine, DZ, (ed.) Guiseppe Penone;The Imprint of Drawing. (pp. 89-97). Drawing Center: New York.

Fer, BA; (2004) The Infinite Line: re-making art after Modernism. [Book]. Yale: London and New Haven.

Fer, BA; (2004) Hanne Darboven: Seriality and the Time of Solitude. In: Corris, M, (ed.) Conceptual Art. (pp. 223-234). Cambridge University Press: Cambridge.

G

Garb, T; (2004) 'Homesick' in Mona Hatoum. [Catalogue]. Centro de Arte de Salamanca: Salamanca.

Garb, T; (2004) Looking Down. In: Massimo Vitali Photographer. Centro per L'Arte Contemporanea Luigi Pecci: Prato,Italy.

Garb, T; (2004) Modigliani: Beyond the Myth. In: Making and Masking. Modigliani and the Problematic of Portraiture. (pp. 43-54). New York Jewish Museum: New York.

H

Harper, S.P.; (2004) Strategy in context: The work and practice of New York's downtown artists in the late 1970s and early 1980s. Doctoral thesis, University of London. Green open access
file

L

Lange-Berndt, P; (2004) This Sporting Life, Goldfinger, Night of the Living Dead. In: Mueller, J, (ed.) Movies of the 60s. Taschen: Cologne et al.

Lange-Berndt, P; Ruebel, D; (2004) Alltägliche Zwischenräume. Chantal Akermans Videoinstallationen. Kunst + Unterricht (279) pp. 42-44.

Loh, M.H.; (2004) New and improved: repetition as originality in Italian baroque practice and theory. The Art Bulletin , 86 (3) pp. 477-504.

Loh, MH; (2004) 'New and Improved: Repetition as Originality in Italian Baroque Theory and Practice'. The Art Bulletin , 86 (3) pp. 477-504.

M

Mills, R; (2004) Review of Debra Higgs Strickland, Saracens, Demons, and Jews: Making Monsters in Medieval Art (2003). H-France Review , 4 (68) pp. 288-291.

Mills, R; (2004) Seeing Face to Face: Troubled Looks in the Katherine Group. In: Campbell, E and Mills, R, (eds.) Troubled Vision: Gender, Sexuality, and Sight in Medieval Text and Image. (pp. 117-136). Palgrave Macmillan: New York.

Mills, R; (2004) The Signification of the Tonsure. In: Cullum, PH and Lewis, KJ, (eds.) Holiness and Masculinity in the Middle Ages. (pp. 109-126). University Of Wales Press: Cardiff.

Mills, R; Campbell, E; (2004) Introduction: Troubled Vision. In: Campbell, E and Mills, R, (eds.) Troubled Vision: Gender, Sexuality, and Sight in Medieval Text and Image. (pp. 1-14). Palgrave Macmillan: New York.

N

Nardelli, M; (2004) Between stillness and movement: boredom, photography and time in Michelangelo Antonioni’s L’eclisse’,. Object , 7 pp. 82-95.

R

Riches, HK; (2004) Skin surface and subjectivity: the self-representational photography of Frances Woodman. Doctoral thesis, University of London. Green open access
file

S

San Juan, RM; Pratt, G; (2004) In search of the horizon: utopic imaginings in 'The Truman Show' and 'The Matrix'. In: Lees, L, (ed.) The Emancipatory City? paradoxes and possibilities. (pp. 192-209). Sage Publications: London.

W

Wilson, C; (2004) Lausanne and Canterbury: A 'Special Relatonship' Re-Examined. In: Kurman, P, (ed.) Der Dom zu Lausanne im Kontext der europaischen Gotik. (pp. 157-189). Walter de Gruyter: Berlin.

Wilson, C.; (2004) Lausanne and Canterbury: a 'special relationship' re-examined. In: Kurmann, P. and Rohde, M., (eds.) Die Kathedrale von Lausanne und ihr Marienportal im Kontext der europischen Gotik. (pp. 157-189). Walter de Gruyter: Berlin, Germany.

Wilson, C.; (2004) Lausanne and Canterbury: a 'special relationship' re-examined. In: Kurmann, P. and Rohde, M., (eds.) Die Kathedrale von Lausanne und ihr Marienportal im Kontext der europischen Gotik. (pp. 157-189). Walter de Gruyter: Berlin, Germany.

This list was generated on Sun Nov 27 06:19:00 2016 GMT.