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Number of items: 32.


Bindman, D; (2002) Ape to Apollo: Aesthetics and the Idea of race in the Eighteenth Century. [Book]. Reaktion


Demos, T; (2002) “Davina Grunstein and the Archaeology of the Spectacle”. Link , 8 pp. 65-73.

Demos, T; (2002) "Duchamp's La Boite-en-valise: Between Institutional Acculturation and Geopolitical Displacement". Grey Room , 8 pp. 6-38.

Demos, T; (2002) “Rethinking Site Specificity,” Review of Miwon Kwon\'s One Place After Another: Notes on Site Specificity. Art Journal pp. 98-100.


Fend, M; (2002) Mann, Frau u.s.w. Visuelle Inszenierungen von Krper und Geschlecht. In: Hornbostel, W and Jockel, N, (eds.) Nackt. Exhibition Catalogue Museum fr Kunst und Gewerbe Hamburg. (57 - 67). Prestel: Mnchen.

Fer, B; (2002) Bordering on Blank: Eva Hesse and Minimalism (1994). In: Mignon, N, (ed.) Eva Hesse. (pp. 57-85). MIT: Cambridge and London.

Fer, BA; (2002) The Work of Salvage:Eva Hesse's Latex Works. In: Sussman, E, (ed.) Eva Hesse. (pp. 79-95). San Francisco Museum of Modern Art and Yale University Press

Ford, C; (2002) People as Property. Oxford Art Journal , 25 (1) pp. 3-16. 10.1093/oaj/25.1.1.

Ford, C.; (2002) People as property. Oxford Art Journal , 25 (1) pp. 1-16. 10.1093/oxartj/25.1.1.


Hemingway, A; (2002) 'American Communists View Mexican Muralism: Critical and Artistic Responses'. Cronícas: El muralismo, producto de la revolución mexicana, en América , 8-9 pp. 13-43.

Hemingway, A; (2002) Individualism and/or Solidarity? Anarchist Modernism in the United States. Review of Allan Antiff, Anarchist Modernism: Art, Politics and the First American Avant-Garde. Oxford Art Journal , 25 (2) pp. 165-170.

Hemingway, AF; (2002) Artists on the Left: American Artists and the Communist Movement, 1926-56. [Book]. Yale University Press: New Haven.


James, SE; (2002) Incorporating Art. New Left Review (18) 154 - 160.


Koerner, J; (2002) Albrecht Durer: A Sixteenth-Century Influenza. In: Bartrum, G, (ed.) Albrecht Durer and His Legacy:The Graphic Work of a Renaissance Artist. (pp. 18-38). British Museum: London.

Koerner, J; (2002) The icon as Iconoclash. In: Latour, B, (ed.) Iconoclash:Beyond the Image. Wars in Science,Religion and Art. (pp. 164-213). MIT Press


Lange-Berndt, P; (2002) Erkundungen zwischen den Lebensformen. Annette Messagers Chimären. Kunst + Unterricht (260) pp. 46-48.

Lange-Berndt, P; (2002) The Evil Dead. In: Mueller, J, (ed.) Movies of the 80s. (pp. 194-197). Taschen: Cologne et al.

Lange-Berndt, P; (2002) John Isaacs. In: Ullrich, J, (ed.) Wächserne Identitäten. Figürliche Wachsplastik am Ende des 20. Jahrhunderts. (pp. 70-71). Georg Kolbe Museum: Berlin.

Lange-Berndt, P; (2002) Entries Chemikalien (with Ruebel, D.), Federn, Gummi, Haare (with Ruebel, D., Koehring, A.), Pflanzen, Präparate, Zelluloid. In: Wagner, M and Rübel, D and Hackenschmidt, S, (eds.) Lexikon des Materials. Werkstoffe der modernen Kunst von Abfall bis Zinn. Beck Verlag: Muenchen.


Mills, R; (2002) For They Know Not What They Do: Violence in Medieval Passion Iconography. Fifteenth Century Studies , 27 pp. 200-216.

Mills, R; (2002) A Man is Being Beaten. New Medieval Literatures , 5 pp. 115-153.

Mills, R; (2002) Regarding Pain. Review of Nigel Spivey, Enduring Creation: Art, Pain and Fortitude (2001). Art History: journal of the Association of Art Historians , 25 (5) pp. 686-690.

Mills, R; (2002) Ecce Homo. In: Riches, S and Salih, S, (eds.) Gender and Holiness: Men, Women and Saints in Late Medieval Europe. (pp. 152-173). Routledge: London.


San Juan, RM; (2002) The Court Lady's Dilemma: Isabella d'Este and Art Collecting in the Renaissance. In: Findlen, P, (ed.) The Renaissance: Blackwell's Essential Readings in History. (pp. 317-340). Balckwell: Oxford.

Schwartz, F; (2002) The Paper Avant-Garde: Graphic Design and the Margins of Radical Practice. Oxford Art Journal , 25 (2) pp. 170-174.

Schwartz, F; (2002) Review of Mies in Berlin at Museum of Modern Art. Journal of the Society of Architectural Historians , 6 (2) pp. 217-219.

Schwartz, F.J.; (2002) Hermann Muthesius and the early Deutscher Werkbund. In: Ikeda, Y., (ed.) ????????????? ?????????????????? : ???????????? / Vom Sofakissen zum Stdtebau : Hermann Muthesius und der Deutsche Werkbund: Modern Design in Deutschland 1900-1927. (pp. 4-73). National Museum of Modern Art: Kyoto, Japan.

Schwartz, FJ; (2002) Hermann Muthesius and the early Deutscher Werkbund. In: Ikeda, Y, (ed.) Vom Sofakissen zum Stadtebau - Hermann Muthesius und der deutsche Werkbund: Modern Design in Deutschland, 1900-1927. (pp. 12-27). National Museum of Modern Art: Kyoto.


Taws, R; (2002) The 1790 Paris Federation and the Visual Reconstitution of an Idea. Object (4) pp. 73-92.

Taws, R; (2002) Review of Warren Roberts, 'J.-L. David and J.-L. Prieur, Revolutionary Artists: The Public, The Populace and Images of the French Revolution' and Alain Chevalier, Claudette Hould et. al., 'La Révolution par la gravure'. Object (5) pp. 96-102.


Weston, H; (2002) UNSPECIFIED Presented at: Pierre-Paul Prud'hon,Jean-Jacques Rousseau et la notion de vertu.

Wilson, C; (2002) The Royal Lodgings of Edward III at Windsor Castle:Form, Function, Representation. In: Keen, L and Scarff, E, (eds.) Windsor: Medieval Archaeology, Art and Architecture in the Thames Valley. (pp. 15-94). Maney Publishing: Leeds.

This list was generated on Sun Nov 27 06:19:02 2016 GMT.