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Number of items: 28.


Bindman, D; (2000) Thomas Banks's 'Caractacus before Claudius': new letters to and from Ozias Humphry. Burlington Magazine , CXLII (1173) pp. 769-773.

Bindman, D; (2000) William Blake, The Divine Comedy. Bibliotheque del'Image, Paris.

Bindman, D; (2000) The English Apocalypse. In: Carey, F, (ed.) The Apocalypse and the Shape of Things to Come. (pp. 208-269). British Museum Press: London.

Boucher, B; (2000) Hawksmoor's London Churches by du Prey, P.

Boucher, B; (2000) Leon Battista Alberti by Grafton, A.

Boucher, B; (2000) Nature and the Antique in the Work of Andrea Palladio. Journal of the Society of Architectural Historians , LIX (3) pp. 296-311.

Boucher, B; (2000) The Oxford History of Western Art. ed Kemp. M.


Fer, B; (2000) On Abstract Art. [Book]. Yale University Press: London.

Fer, B; (2000) Some Translucent Substance, Or the Trouble with Time. In: Gill, C, (ed.) Time and the Image. (pp. 69-78). Manchester University Press: Manchester.

Ford, C; (2000) Blue Guide City Guide, Amsterdam. [Book]. A & C Black: London.


Garb, T; (2000) Framing Femininity in Manet's Portrait of Mlle E.G. In: D'Souza, A, (ed.) Self and History. A Tribute to Linda Nochlin. (pp. 77-90). Thames and Hudson: London.


Hemingway, A; (2000) "Norwich School": Myth and Reality. In: Brown, DB and Lyles, A, (eds.) Romantic Landscape: The Norwich School of Painters. (pp. 9-23). Tate Gallery Publishing: London.

Hemingway, A; Jaskot, P; (2000) review of T.J. Clark, 'Farewell to an Idea: Episodes from a History of Modernism'. Kunst und Politik: Jahrbuch der Guernica-Gesellschaft , 2 pp. 229-237.


Lange-Berndt, P; (2000) Unheimliche(s) Gestalten. Damien Hirsts ‚Naturgeschichte‘ und das historische Verfahren der Naßpräparation. In: Haus, A and Hofmann, F and Söll, A, (eds.) Material im Prozess. Strategien ästhetischer Produktion. (pp. 167-180). Reimer Verlag: Berlin.


Mills, R; (2000) Review of Mitchell B. Merback, The Thief, the Cross and the Wheel: Pain and the Spectacle of Punishment in Medieval and Renaissance Europe (1999). Art History: journal of the Association of Art Historians , 23 (1) pp. 140-142.

Mills, R; (2000) Funeral Customs and Burial Rites. In: Lindahl, C and McNamara, J and Lindow, J, (eds.) Medieval Folklore: An Encyclopedia of Myths, Legends, Tales, Beliefs and Customs. (pp. 390-398). ABC-Clio: Santa Barbara, USA.

Mills, R; (2000) Memento Mori. In: Lindahl, C and McNamara, J and Lindow, J, (eds.) Medieval Folklore: An Encyclopedia of Myths, Legends, Tales, Beliefs and Customs. (pp. 650-654). ABC-Clio: Santa Barbara, USA.


San Juan, RM; (2000) Framing the early modern field of vision. Oxford Art Journal , 23 (No) 171 - 177.

San Juan, RM; Discipline and Place Collective, ; (2000) The Limits of Liberalism: a Conversation with Lisa Lowe, Renata Salecl and Terry Threadgold. Anglistica , 4 (No. 1 Transitional Space and Universities in Transition) 91 - 120.

Schwartz, F; (2000) Book-Space: Walter Benjamin, the 'Kunstwerk-Aufsatz' and the Avant-Garde. Kritische Berichte , 3 pp. 21-43.

Schwartz, F; (2000) 'Nachwort/Afterword'. Die Kunst in Industrie und Handel. Jahrbuch des Deutschen Werkbundes 1913 pp. 1-32.

Schwartz, F; (2000) Ornament and Spirit,Ornament and Class: A Short History of a Troubled Trope. Harvard Design Magazine , 11 pp. 76-84.

Schwartz, F; (2000) Form Follows Fetish: Adolf Behne and the Problem of Sachlichkeit. In: Bushart, M, (ed.) Adolf Behne: Essays zu seiner Kunst-und Architektur-Kritik. (pp. 229-271). Gebr. Mann: Berlin.

Schwartz, F; (2000) Translation of Hans Sedlmayr 'Bruegel's Macchia'. In: Wood, CA, (ed.) The Vienna School Reader: Politics and Art Historical Method in the 1930s. (pp. 323-376). Zone Books: New York.


Taws, R; (2000) Review of 'Carnivalesque', Hayward Gallery. Object (3) pp. 126-129.


Weston, H; (2000) 'Mayer (Marie-Francoise) Constance [la Martiniere]'. In From David to Ingres. Early 19th-century French Artists. Ed Turner, J. The Grove Art Series; Macmillan Reference Limited, London.

Weston, H; (2000) 'The Cook, the thief, his wife and her lover': LaVille-Leroulx's Portait de Negresse and the signs of misrecognition. In: Mainz, V and Pollock, G, (eds.) Work and Image, Vol. 1, Work, Craft and Labour. Visual Representations in Changing Histories. (pp. 53-74). Ashgate Publishing Company

Wilson, C; (2000) Note sur la decouverte des colonnettes du jube de Sainte-Waudru a Mons. In: Didier, R, (ed.) Jacques Dubroeucq, sculpteur et maitre-artiste de l'Empereur (1500/10-1584). (pp. 161-165). Ars Libris: Brussels.

This list was generated on Sun Mar 26 08:03:08 2017 BST.