UCL logo

UCL Discovery

UCL home » Library Services » Electronic resources » UCL Discovery

Browse by UCL Departments and Centres

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0
Group by: Author | Type
Jump to: B | F | G | H | S | W
Number of items: 24.

B

Bindman, D; (1997) Blake's Vision of Slavery Revisited. Huntington Library Quarterly , 58 (3 & 4) pp. 373-383.

Bindman, D; (1997) Hogarth and his Times: Serious Comedy. [Book]. British Museum Press: London.

Bindman, D; (1997) Rake's Progress: Hogarth to Hockney. [Catalogue]. Soane Museum: London.

Bindman, D; (1997) Roubiliac's Statue of Handel and the Keeping of Order in Vauxhall Gardens in the Early Eighteenth Century. The Sculpture Journal , 1 pp. 22-31.

Bindman, D; (1997) Introduction. In: Bindman, D and Wilcox, S, (eds.) Among the Whores and Thieves: William Hogarth and The Beggar's Opera. (pp. 5-12). Yale Center for British Art: New Haven.

Bindman, D; (1997) The nature of satire in the `modern moral subjects`. In: Ogee, F, (ed.) The Dumb Show: Image and Society in the works of William Hogarth. (pp. 129-141). Voltaire Foundation: Oxford.

F

Fend, M; (1997) Nebulöse Identitäten: Girodets 'Schlaf des Endymion'. In: Härle, G and Popp, W and Runte, A, (eds.) Ikonen des Begehrens: Bildsprachen der männlichen und weiblichen Homosexualität in Literatur und Kunst. (101 - 119). Metzler: Stuttgart.

Fer, B; (1997) On Abstract Art. [Book]. Yale University Press: London.

Ford, C; (1997) Vermeer & the art of painting. OXFORD ART J , 20 (2) 86 - 88.

Ford, C; (1997) Vermeer, faith in painting. OXFORD ART J , 20 (2) 86 - 88.

G

Garb, T; (1997) Masculinity, Muscularity and Modernity in Caillebotte's male figures. In: Smith, T, (ed.) Invisible Touch; modernism and masculinity. (pp. 53-74). Power Publications: Sydney.

H

Hemingway, A; (1997) Artist on the Left and their Critics. Intellectual History Newsletter , 19 pp. 6-14.

Hemingway, A; (1997) Constituents of Romantic Genius: John Sell Cotman's Greta Drawings. In: Rosenthal, M and Payne, C and Willcox, S, (eds.) Prospects for the Nation: Recent Essays in British Landscape, 1750 - 1880. (pp. 183-204). Yale University Press: London.

S

San Juan, RM; (1997) Entrances and Departures: The Procession Prints of Queen Christina of Sweden. In: Roden, ML and Magnusson, B, (eds.) Politics and Culture in the Age of Queen Christina. (36 - 59). Swedish Academy in Rome: Rome.

San Juan, RM; Discipline and Place Collective, ; (1997) Moving Spaces, Firm Groundings: An Interview with Rey Chow”, 15 (1997): 509-532. Environment and Planning D: Society and Space , 15 509 - 532.

Schwartz, F; (1997) Der 'Schleier der Maja': Karl Ernst Osthaus, das Deutsche Museum f�r Kunst in Handel und Gewerbe und der Werkbunsdtreit. In: Das Sch”ne und der Alltag: Deutsches Museum f�r Kunst in Handel und Gewerbe, 1909 - 1919. (pp. 409-427). Schoeck-Ducaju & Zoon: Gent.

W

Weston, H; (1997) Constance Mayer. Dictionary of Women Artists , 2 pp. 928-938.

Weston, H; (1997) The Language of the Body: Drawings by Pierre-Paul Prud'hon. Burlington Magazine , CXXXIX (April) p. 267.

Weston, H; (1997) Paris and Chantilly. Prud'hon. Burlington Magazine , CXXXXI (Decemb) pp. 891-894.

Weston, H; (1997) Une Oeuvre … deux voix, le cas Constance Mayer. Connaissance des Arts, num‚ro special - Pierre-Paul Prud'hon , H.S. n pp. 32-41.

Wilson, C; (1997) Rulers, Artificers and Shoppers: Richard II's Remodelling of Westminster Hall, 1393 - 99. In: Gordon, D and Monnas, L and Elam, C, (eds.) The Royal Image of Richard II and the Wilton Diptych. (pp. 33-59). Harvey Miller: London.

Wright, A; (1997) Antonio del Pollaiuolo's `Elevation of the Magdalen` in Staggia and an early patron. Burlington Magazine , CXXXX (July) pp. 444-451.

Wright, A; (1997) L'Officina della Maniera. Renaissance Studies , XI (2) pp. 154-159.

Wright, A; (1997) Dimensional Tension in the work of Antonio del Pollaiuolo. In: Currie, S and Motture, P, (eds.) The Sculpted Object, 1400 - 1700. (pp. 65-79). : Aldershot.

This list was generated on Sun Jul 24 09:45:44 2016 BST.