Browse by UCL Departments and Centres
 | Up a level |
Group by: Author | Type
Number of items: 71.
A
|
Allington, E;
(2003)
The Ugly Truth.
Frieze
(76)
pp. 82-85.
|
B
|
Barlow, P;
(2003)
Picture.
Frieze
(74)
pp. 54-55.
|
|
Barlow, P;
(2003)
Sculpture Now - A round table discussion.
In:
(Proceedings) Sculpture Now.
(pp. pp. 227-241).
Black Dog Publishing Ltd: London.
|
|
Barlow, P;
(2003)
A Severe Weather Warning.
In: Fournel, J and Tissier, N and Reip, H, (eds.)
Melanie Counsell: Bag.
(pp. 62-63).
Edition Villas Saint Clair: SŠte.
|
|
Beasley, M;
Ledwith, C;
Council, B;
(2003)
Electric Earth.
[Catalogue].
British Council: London.
|
|
Beckman, E;
Stahl, M;
(2003)
Happy Pappy.
[Book].
|
|
Bowman, R;
Hoffmann, J;
(2003)
Beck's Futures 2003.
[Catalogue].
|
|
Bright, K.;
(2003)
Kate Bright.
[Exhibition].
New Art Gallery, Walsall, UK.
24 July - 14 September 2003.
|
|
Bright, K.;
(2003)
Kate Bright.
[Exhibition].
Centro de Arte Salamanca, Spain.
03 February - 30 March 2003.
|
C
|
Collins, S;
(2003)
UNSPECIFIED
In:
(Proceedings) user_mode = emotion + intuition in art + design.
Tate: London.
|
|
Collins, S;
(2003)
Inhabited Text.
Millennium Film Journal
(39/40)
pp. 88-98.
|
|
Collins, S;
(2003)
Pixelscape.
[Artefact].
Commission by Arts Council South East (Brighton) for the reception area of ACE Brighton, completed Nov 2003..
|
|
Counsell, M;
(2003)
Bag.
[Book].
(Vol.1).
Edition Villa Saint Clair
|
F
|
Fairclough, L;
(2003)
Screening of Steppe at Symposium for Screen Studies, Moving Back into the Gallery, University of London.
UNSPECIFIED
|
|
Faithful, S;
(2003)
Ideas, Vol.1.
[Book].
Pump House Gallery, London: London, UK.
|
|
Faithfull, S;
(2003)
13 Messages.
UNSPECIFIED
|
|
Faithfull, S;
(2003)
Terrestrial Investigation #256.
UNSPECIFIED
|
|
Florence, P;
(2003)
Cybiog and Sexed Digitalia.
Digital Creativity
, 14
(3)
pp. 144-151.
|
|
Florence, P;
(2003)
‘Cybiog and Sexed Digitalia. The Self Portrait in Digital Art’.
Digital Creativity
, 14
(3)
pp. 144-151.
|
|
Florence, P.;
(2003)
Alcyone on the jetty or the lady vanishes.
New Nietzsche Studies
, 5
(3/4)
pp. 164-172.
|
G
|
Goodwin, D;
(2003)
Above/Below.
UNSPECIFIED
|
|
Goodwin, D;
(2003)
Above/Below (drawings).
UNSPECIFIED
|
|
Goodwin, D;
(2003)
Dilate.
UNSPECIFIED
|
|
Goodwin, D;
(2003)
Reveal.
UNSPECIFIED
|
|
Goodwin, D;
(2003)
Reveal (short film).
UNSPECIFIED
|
|
Goodwin, D;
(2003)
Speaker at Bunkier Gallery, Krakow, Poland, part discussion around Reality Check.
In:
|
|
Goodwin, D;
(2003)
Speaker at National Film Theatre, London, UK. Artists Film and Video Season.
In:
|
|
Goodwin, D;
(2003)
Two Thousand and Three.
UNSPECIFIED
|
|
Goodwin, D;
Howarth, S;
Cubitt, S;
(2003)
Dryden Goodwin - MONOGRAPH.
[Book].
Film and Video Umbrella: London UK.
|
H
|
Hamlyn, N;
(2003)
Film art phenomena.
[Book].
British Film Institute
|
|
Head, T.;
(2003)
Days like these.
[Exhibition].
Tate Britain, London, UK.
26 February - 26 May 2003.
|
|
Hilliard, J;
(2003)
The Picture Within.
Next Level
(4)
pp. 52-55.
|
|
Hilliard, J;
(2003)
The Less Said the Better.
[Book].
Verlag das Wunderhorn: Heidelberg.
|
|
Hilliard, J;
(2003)
Inflamed and Consumed.
In: Matt, G and Hartel, G, (eds.)
Love/Hate.
(pp. 46-49).
Triton Verglag: Vienna.
|
|
Hoek, K;
(2003)
Not because but as if nor or but and.
The Projection
5-.
|
|
Hoek, K;
(2003)
Not because but as if nor or but and.
In: van der Geest, N and Zijmans, K, (eds.)
Curry.
(pp. 51-61).
Hogeschool voor Kunsten Utrecht: Utrecht.
|
J
|
Jackson, M;
(2003)
Spreading Like Wildfire.
[Digital scholarly resource].
http://diffusion.org.uk/?p=60
|
|
Jones, L;
(2003)
Yellowday.
UNSPECIFIED
|
L
|
Lowe, B;
(2003)
You Are at Home Here.
Wild Pansy Press, Breda, Netherlands.
|
M
|
Malik, A;
(2003)
Lorna Simpson, Then and Now.
Portfolio
|
|
Malik, A;
(2003)
Veil, Veiling and Representation.
Portfolio
|
|
Masi, D.;
(2003)
Fine Art Scholars and Fellows Exhibition.
[Exhibition].
The British School at Rome, Italy.
16-20 September 2003.
|
|
McLean, B;
(2003)
Red Carpet Green Arch.
UNSPECIFIED
|
|
McLean, B;
(2003)
Valencia Biennale.
UNSPECIFIED
|
|
Morris, S;
(2003)
Almeria: the first track.
Painted
(6)
14-.
|
|
Morris, S;
(2003)
Sitting on the Fence and Categorical Heart.
In: Rety, J, (ed.)
UNSPECIFIED
(201-).
London: Hearing Eye: London.
|
|
Mulholland, N;
(2003)
The Cultural Devolution.
[Book].
Ashgate: London.
|
P
|
Padfield, D;
(2003)
Perceptions of Pain.
[Book].
Dewi Lewis Publishing
|
|
Padfield, D;
Hurwitz, B;
(2003)
as if... visualizing pain.
Int J Epidemiol
, 32
(5)
pp. 704-707.
|
|
Proud, D;
(2003)
The Bar.
UNSPECIFIED
|
R
|
RUGGABER, K;
(2003)
I love history.
[Book].
(Vol.250).
The artist, with research funding from Chelsea College of Art & Design, UAL: London.
|
|
Rideal, L;
(2003)
The Curtain Master: Drapery and Pattern in Larkin's Early British Portrait Paintings and its Affinity with my Work in the Photo Booth.
In:
(Proceedings) Drapery in Visual Culture. Contexts, Clothing, Corporealities.
(pp. pp. 274-287).
Berg: Oxford and New York.
|
|
Rideal, L;
(2003)
Drapery and Pattern in Portrait painting as a Source for my Work in the Photobooth with particular reference to 'The Curtain Master' William Larkin.
Textile The Journal of Cloth and Culture
, 1
(3)
pp. 274-287.
|
|
Rideal, L;
(2003)
Transition/Connections. The Developing Portrait: Painting towards Photography.
[Digital scholarly resource].
http://www.npg.org.uk/learning/digital/portraiture...
|
S
|
Sleeman, AJ;
(2003)
Staring into holes in the ground: Earthworks: Art and the Landscape of the Sixties by Suzan Boettger.
Art History
, 26
(5)
pp. 773-779.
|
|
Sleeman, J;
(2003)
Richard Long.
In: Curtis, P and Raine, D and Withey, M and Wood, J and Wasley, V, (eds.)
Sculpture in 20th Century Britain: A Guide to Sculptures in the Leeds Collection.
(pp. 216-217).
Henry Moore Institute: Leeds.
|
|
Sleeman, J;
(2003)
Sculpture Squared.
In: Curtis, P and Raine, D and Withey, M and Wood, J and Wasley, V, (eds.)
Sculpture in 20th Century Britain: Identity, Infrastructures, Aesthetics, Display, Reception.
(pp. 200-211).
Henry Moore Institute: Leeds.
|
|
Stahl, A;
(2003)
(2003) Artist-in-Residence at Silpakorn University, Bangkok, Thailand.
UNSPECIFIED
|
|
Stahl, A;
(2003)
(2003) New Paintings and Drawings: 'Bangkok Mosaic'. Catalogue introduction by Andrew Stahl. 100 Tonson Gallery, Bangkok, Thailand.
[Catalogue].
|
|
Stahl, A;
(2003)
(2003) Review by Andrew West on Andrew Stahl, Bangkok Post, 25th December.
UNSPECIFIED
|
|
Stahl, A;
(2003)
(2003) Review on Andrew Stahl, Bangkok Mosaic, Bangkok Business, 15th December.
UNSPECIFIED
|
|
Stahl, A.;
(2003)
New Paintings and Drawings: Bangkok Mosaic.
[Exhibition].
100 Tonson Gallery, Bangkok.
11 Dec 2003 - 4 Jan 2004.
|
|
Stevens, G.;
(2003)
Slow life.
[Exhibition].
Matt’s Gallery, London.
05 - 17 March 2003.
|
T
|
Thomson, J;
(2003)
Short Films about Flying.
UNSPECIFIED
|
|
Thomson, J;
Craighead, A;
(2003)
Rhizome Digest.
UNSPECIFIED
|
|
Thomson, JR;
Craighead, A;
(2003)
Weather gauge.
[Artefact].
Digital installation from online sources.
UK.
|
V
|
Volley, J;
(2003)
The Moment.
UNSPECIFIED
|
W
|
Woodley, G.;
(2003)
Impingement No. 44.
[Exhibition].
The Gallery, Grange House, Guernsey.
28 March - 10 April 2003.
|
Y
|
Young, CSR;
(2003)
Moskva ter / Moscow Square.
[Group exhibition].
Museum Ludwig, Budapest.
16 May 2003 - 30 May 2003.
|
|
Young, CSR;
(2003)
Dreams and Conflicts, Official catalogue for the 50th Venice Biennale.
[Catalogue].
Venice Biennale: Venice.
|
|
Young, CSR;
hegyi, D;
(2003)
Moskva ter / Moscow Square.
[Catalogue].
Museum Ludwig: Budapest.
|