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Number of items: 76.


Allington, E; (2003) The Ugly Truth. Frieze (76) pp. 82-85.


Barlow, P; (2003) Picture. Frieze (74) pp. 54-55.

Barlow, P; (2003) Sculpture Now - A round table discussion. In: (Proceedings) Sculpture Now. (pp. pp. 227-241). Black Dog Publishing Ltd: London.

Barlow, P; (2003) A Severe Weather Warning. In: Fournel, J and Tissier, N and Reip, H, (eds.) Melanie Counsell: Bag. (pp. 62-63). Edition Villas Saint Clair: SŠte.

Beasley, M; Ledwith, C; Council, B; Young, C; (2003) Electric Earth. [Catalogue]. British Council: London.

Beckman, E; Stahl, M; (2003) Happy Pappy. [Book].

Bowman, R; Hoffmann, J; (2003) Beck's Futures 2003. [Catalogue].

Bright, K.; (2003) Kate Bright. [Exhibition]. New Art Gallery, Walsall, UK. 24 July - 14 September 2003.

Bright, K.; (2003) Kate Bright. [Exhibition]. Centro de Arte Salamanca, Spain. 03 February - 30 March 2003.


Collins, S; (2003) UNSPECIFIED In: (Proceedings) user_mode = emotion + intuition in art + design. Tate: London.

Collins, S; (2003) Inhabited Text. Millennium Film Journal (39/40) pp. 88-98.

Collins, S; (2003) Pixelscape. [Artefact]. Commission by Arts Council South East (Brighton) for the reception area of ACE Brighton, completed Nov 2003..

Counsell, M; (2003) Bag. [Book]. (Vol.1). Edition Villa Saint Clair


Duijzings, G; (2003) "Changes in the social roles of Western anthropologists and indigenous ethnologists". Xenopoliana , XI (1-2) pp. 9-13.

Duijzings, G; (2003) Ethnic unmixing under the aegis of the West: a transnational approach to the breakup of Yugoslavia. Bulletin of the Royal Institute for Inter-Faith Studies , 5 (2) pp. 1-16.

Duijzings, G; (2003) History and reminders in East Bosnia. [Book]. Netherlands Institute for War Documentation (NIOD): Amsterdam.

Duijzings, G; (2003) "Kosovo: perceptions of war and its aftermath" (Mary Buckley and Sally N. Cummings). Political Studies Review , 1 (3) pp. 478-479.

Duijzings, G; (2003) "The road to hell is paved with good intentions. The Srebrenica report of the Netherlands Institute for War Documentation (NIOD)". UNSPECIFIED, London.


Fairclough, L; (2003) Screening of Steppe at Symposium for Screen Studies, Moving Back into the Gallery, University of London. UNSPECIFIED

Faithful, S; (2003) Ideas, Vol.1. [Book]. Pump House Gallery, London: London, UK.

Faithfull, S; (2003) 13 Messages. UNSPECIFIED

Faithfull, S; (2003) Terrestrial Investigation #256. UNSPECIFIED

Florence, P; (2003) Cybiog and Sexed Digitalia. Digital Creativity , 14 (3) pp. 144-151.

Florence, P; (2003) ‘Cybiog and Sexed Digitalia. The Self Portrait in Digital Art’. Digital Creativity , 14 (3) pp. 144-151.

Florence, P.; (2003) Alcyone on the jetty or the lady vanishes. New Nietzsche Studies , 5 (3/4) pp. 164-172.


Goodwin, D; (2003) Above/Below. [Artefact]. 2 screen video installation and original soundtrack.

Goodwin, D; (2003) Above/Below (drawings). [Artefact]. Above/Below - Julie (2003) Pencil on paper, diptych, 76 x 56cm (30 x 22in). Above/Below - Amit (2003) Pencil on paper, diptych, 76 x 56cm (30 x 22in). Above/Below - Helen (2003) Pencil on paper, diptych, 76 x 56cm (30 x 22in). Above/Below - Jon (2003) Pen. London.

Goodwin, D; (2003) Dilate. [Artefact]. 8 screen Video installation and soundtrack. -.

Goodwin, D; (2003) Reveal (Installation). [Artefact]. Single screen film shot on video with accompanying soundtrack and 36 Biro drawings.. London.

Goodwin, D; (2003) Reveal (short film). [Artefact]. Single screen film, shot on video. Commissioned by Picture This, Bristol and South West Screen.. London.

Goodwin, D; (2003) Speaker at Bunkier Gallery, Krakow, Poland, part discussion around Reality Check. In:

Goodwin, D; (2003) Speaker at National Film Theatre, London, UK. Artists Film and Video Season. In:

Goodwin, D; (2003) Two Thousand and Three, 16mm film installation loop and lightbox. [Artefact]. 16mm Film Projection, and lightbox with filmstrips and magnifying loupes.. London.


Head, T.; (2003) Days like these. [Exhibition]. Tate Britain, London, UK. 26 February - 26 May 2003.

Hilliard, J; (2003) The Picture Within. Next Level (4) pp. 52-55.

Hilliard, J; (2003) The Less Said the Better. [Book]. Verlag das Wunderhorn: Heidelberg.

Hilliard, J; (2003) Inflamed and Consumed. In: Matt, G and Hartel, G, (eds.) Love/Hate. (pp. 46-49). Triton Verglag: Vienna.

Hoek, K; (2003) Not because but as if nor or but and. The Projection 5-.

Hoek, K; (2003) Not because but as if nor or but and. In: van der Geest, N and Zijmans, K, (eds.) Curry. (pp. 51-61). Hogeschool voor Kunsten Utrecht: Utrecht.


Jackson, M; (2003) Spreading Like Wildfire. [Digital scholarly resource]. http://diffusion.org.uk/?p=60

Jones, L; (2003) Yellowday. UNSPECIFIED


Lowe, B; (2003) You Are at Home Here. Wild Pansy Press, Breda, Netherlands.


Malik, A; (2003) Lorna Simpson, Then and Now. Portfolio

Malik, A; (2003) Veil, Veiling and Representation. Portfolio

Masi, D.; (2003) Fine Art Scholars and Fellows Exhibition. [Exhibition]. The British School at Rome, Italy. 16-20 September 2003.

McLean, B; (2003) Red Carpet Green Arch. UNSPECIFIED

McLean, B; (2003) Valencia Biennale. UNSPECIFIED

Morris, S; (2003) Almeria: the first track. Painted (6) 14-.

Morris, S; (2003) Sitting on the Fence and Categorical Heart. In: Rety, J, (ed.) UNSPECIFIED (201-). London: Hearing Eye: London.

Mulholland, N; (2003) The Cultural Devolution. [Book]. Ashgate: London.


Padfield, D; (2003) Perceptions of Pain. [Book]. Dewi Lewis Publishing

Padfield, D; Hurwitz, B; (2003) as if ... visualizing pain. INTERNATIONAL JOURNAL OF EPIDEMIOLOGY , 32 (5) pp. 704-707. 10.1093/ije/dyg283.

Parker, J; (2003) Landscape in 'I Dish'. In: The Undercut Reader: Critical Writings on Artist's Film and Video. (p. 92). Wallflower: London, England.

Proud, D; (2003) The Bar. UNSPECIFIED


RUGGABER, K; (2003) I love history. [Book]. (Vol.250). The artist, with research funding from Chelsea College of Art & Design, UAL: London.

Rideal, L; (2003) The Curtain Master: Drapery and Pattern in Larkin's Early British Portrait Paintings and its Affinity with my Work in the Photo Booth. In: (Proceedings) Drapery in Visual Culture. Contexts, Clothing, Corporealities. (pp. pp. 274-287). Berg: Oxford and New York.

Rideal, L; (2003) Drapery and Pattern in Portrait painting as a Source for my Work in the Photobooth with particular reference to 'The Curtain Master' William Larkin. Textile The Journal of Cloth and Culture , 1 (3) pp. 274-287.

Rideal, L; (2003) Transition/Connections. The Developing Portrait: Painting towards Photography. [Digital scholarly resource]. http://www.npg.org.uk/learning/digital/portraiture...


Sleeman, AJ; (2003) Staring into holes in the ground: Earthworks: Art and the Landscape of the Sixties by Suzan Boettger. Art History , 26 (5) pp. 773-779.

Sleeman, J; (2003) Richard Long. In: Curtis, P and Raine, D and Withey, M and Wood, J and Wasley, V, (eds.) Sculpture in 20th Century Britain: A Guide to Sculptures in the Leeds Collection. (pp. 216-217). Henry Moore Institute: Leeds.

Sleeman, J; (2003) Sculpture Squared. In: Curtis, P and Raine, D and Withey, M and Wood, J and Wasley, V, (eds.) Sculpture in 20th Century Britain: Identity, Infrastructures, Aesthetics, Display, Reception. (pp. 200-211). Henry Moore Institute: Leeds.

Stahl, A; (2003) (2003) Artist-in-Residence at Silpakorn University, Bangkok, Thailand. UNSPECIFIED

Stahl, A; (2003) (2003) New Paintings and Drawings: 'Bangkok Mosaic'. Catalogue introduction by Andrew Stahl. 100 Tonson Gallery, Bangkok, Thailand. [Catalogue].

Stahl, A; (2003) (2003) Review by Andrew West on Andrew Stahl, Bangkok Post, 25th December. UNSPECIFIED

Stahl, A; (2003) (2003) Review on Andrew Stahl, Bangkok Mosaic, Bangkok Business, 15th December. UNSPECIFIED

Stahl, A.; (2003) New Paintings and Drawings: Bangkok Mosaic. [Exhibition]. 100 Tonson Gallery, Bangkok. 11 Dec 2003 - 4 Jan 2004.

Stevens, G.; (2003) Slow life. [Exhibition]. Matt’s Gallery, London. 05 - 17 March 2003.


Thomson, J; (2003) Short Films about Flying. UNSPECIFIED

Thomson, J; Craighead, A; (2003) Rhizome Digest. UNSPECIFIED

Thomson, JR; Craighead, A; (2003) Weather gauge. [Artefact]. Digital installation from online sources. UK.


Volley, J; (2003) The Moment. UNSPECIFIED


Woodley, G.; (2003) Impingement No. 44. [Exhibition]. The Gallery, Grange House, Guernsey. 28 March - 10 April 2003.


Young, CSR; (2003) Moskva ter / Moscow Square. [Group exhibition]. Museum Ludwig, Budapest. 16 May 2003 - 30 May 2003.

Young, CSR; (2003) Perverse Institutions. Camera at Work symposium, Tate Modern. In: (Proceedings) Camera at Work: Richard Reeves in discussion with Anna Fox and Carey Young.

Young, CSR; (2003) Dreams and Conflicts, Official catalogue for the 50th Venice Biennale. [Catalogue]. Venice Biennale: Venice.

Young, CSR; hegyi, D; (2003) Moskva ter / Moscow Square. [Catalogue]. Museum Ludwig: Budapest.

This list was generated on Sun Aug 18 02:53:08 2019 BST.