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Jewish Theatre in Budapest: The question of belonging 1939-1944

Kalmár, A; (2017) Jewish Theatre in Budapest: The question of belonging 1939-1944. Tropos , 3 (1) , Article 1. 10.14324/111.2057-2212.067. Green open access

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Abstract

The Hungarian government introduced a number of anti-Semitic laws that restricted Jewish ’presence’ between 1920 and 1944, first in universities, then in professional spheres and finally, in public places. By 1941 hardly any Jewish-born theatre workers were employed by the Budapest theatres. Simultaneously, the authorities gave permission for a Jewish theatrical initiative to launch, within the confines of the cultural organisation of the Pest Israelite congregation (OMIKE). The initiative, entitled ’Artists’ Action’ was seen as a kind of ‘cultural ghetto’ by the authorities, but to its member it represented a fight for continuous access to culture. It was also a cultural mission which provided a livelihood for 400 artists and unified thousands of people. Studying the Artists’ Action, its leaders, members and audience, also provides an insight into an identity in crisis: the search for a unified Hungarian Jewishness amidst social exclusion was actively supported by the practices of the cultural institution as well as the journal of the congregation.

Type: Article
Title: Jewish Theatre in Budapest: The question of belonging 1939-1944
Open access status: An open access version is available from UCL Discovery
DOI: 10.14324/111.2057-2212.067
Publisher version: https://doi.org/10.14324/111.2057-2212.067
Language: English
Additional information: © 2017, The Author(s). This is an Open Access article distributed under the terms of the Creative Commons Attribution License (CC-BY) 4.0 https://creativecommons.org/licenses/by/4.0/ which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
Keywords: Theatre, Identity, Exclusion, Holocaust, Hungary
URI: http://discovery.ucl.ac.uk/id/eprint/1558834
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