Gaming and the limits of digital embodiment.
Philosophy & Technology
Lacovides_Gaming and the limits of digital embodiment.pdf
Download (637kB) | Preview
This paper discusses the nature and limits of player embodiment within digital games. We identify a convergence between everyday bodily actions and activity within digital environments, and a trend towards incorporating natural forms of movement into gaming worlds through mimetic control devices. We examine recent literature in the area of immersion and presence in digital gaming; Calleja’s (2011) recent Player Involvement Model of gaming is discussed and found to rely on a probematic notion of embodiment as 'incorporation'. We go on to further reflect on the nature of player involvement in digital gaming environments by applying insights from Maurice Merleau-Ponty's Phenomenology of Perception. It is argued that digital embodiment differs so significantly from primordial embodiment that any idea of total immersion is simply fantasy. We subsequently argue that digital game media nonetheless provide us with unique opportunities for exploring the nature of distinctively human forms of embodiment, and so we need more complete and more reliable phenomenological descriptions of the experiences associated with computer games.
|Title:||Gaming and the limits of digital embodiment|
|Open access status:||An open access version is available from UCL Discovery|
|Additional information:||The final publication is available at Springer via http://dx.doi.org/10.1007/s13347-013-0111-1.|
|Keywords:||Phenomenology, Videogames, Embodiment, Presence, Immersion, Proprioception, Entertainment, Gaming, Experience, Play, Design, Merleau-Ponty, Calleja|
|UCL classification:||UCL > School of Life and Medical Sciences > Faculty of Brain Sciences > Psychology and Language Sciences (Division of) > UCL Interaction Centre|
Archive Staff Only