Gogarty, LA;
(2017)
The Art Right.
Art Monthly
, 405
pp. 6-10.
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Abstract
While some argue that LD50 gallery’s embrace of neoreactionary thought was an exercise in free speech, the fact that access to its programme of events and talks was restricted suggests otherwise. Meanwhile, white supremacists are actively developing an aesthetic based on post-internet art in order to draw in new recruits, a development that needs to be directly challenged.
| Type: | Article |
|---|---|
| Title: | The Art Right |
| Open access status: | An open access version is available from UCL Discovery |
| Publisher version: | https://www.artmonthly.co.uk/magazine/site/issue/a... |
| Language: | English |
| Additional information: | This version is the version of record. For information on re-use, please refer to the publisher’s terms and conditions. |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities > The Slade School of Fine Art |
| URI: | https://discovery.ucl.ac.uk/id/eprint/10058546 |
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