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Entangled Concepts and Participatory Practices across Archaeology, Heritage, and Art

Sterling, CP; Acheson Roberts, L; (2018) Entangled Concepts and Participatory Practices across Archaeology, Heritage, and Art. Journal of Contemporary Archaeology , 4 (2) pp. 130-138. 10.1558/jca.32354. Green open access

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Abstract

This forum response questions the 'creative turn' in archaeology with specific reference to the work of the Archaeology/Heritage/Art Research Network - a loose constellation of academics, artists, events and activities which aims to interrogate the cross-fertilisation of these fields. Focusing on the historical example of the 'conversazione' as a model for participatory debate and practice across different disciplines, the paper argues for more grounded interactions between artists and archaeologists in the light of their increasing conceptual and methodological entanglement.

Type: Article
Title: Entangled Concepts and Participatory Practices across Archaeology, Heritage, and Art
Open access status: An open access version is available from UCL Discovery
DOI: 10.1558/jca.32354
Publisher version: http://doi.org/10.1558/jca.32354
Language: English
Additional information: © 2018 EQUINOX PUBLISHING LTD. This version is the author accepted manuscript. For information on re-use, please refer to the publisher’s terms and conditions.
UCL classification: UCL
UCL > Provost and Vice Provost Offices
UCL > Provost and Vice Provost Offices > UCL SLASH
UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS
UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS > Institute of Archaeology
UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS > Institute of Archaeology > Institute of Archaeology Gordon Square
URI: https://discovery.ucl.ac.uk/id/eprint/10044454
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